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Perceptual Analysis of Gesture Interaction Typologies in Acousmatic Music 2010

Basanta, Adam and Arne Eigenfeldt. Perceptual Analysis of Gesture Interaction Typologies in Acousmatic Music In Seventh Electroacoustic Music Studies Network Conference, Shanghai: EMS 10, 2010.
Syntax as Sign: the Use of Ecological Models Within a Semiotic Approach to Electroacoustic Composition 2010

Basanta, Adam. Syntax as Sign: the Use of Ecological Models Within a Semiotic Approach to Electroacoustic Composition Organised Sound 15, no. 2 (August 2010): 125-132.
Excerpts from "Text-based: Aesthetic Treatment of Sound Materials in Text-sound Compositions" 2009

Adam Basanta. Excerpts from "Text-based: Aesthetic Treatment of Sound Materials in Text-sound Compositions" inter/tidal: SFU Humanities Academic Journal (2009).
Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance 2008

Chris Salter. Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance In CMMR Post Symposium Proceedings, Springer LNCS Series, : 2008.
Potentialities of Meaning: a performance study perspective investigation into the relationship between the composer, composition and audience in contemporary fixed medium sound art 2009

Basanta, Adam. Potentialities of Meaning: a performance study perspective investigation into the relationship between the composer, composition and audience in contemporary fixed medium sound art inter/tidal ii: SFU Humanities Student Union Academic
Sharing Data in Collective Interactive Performances: The SenseWorldDataNetwork 2009

Salter, Chris and Marije Baalman and Harry C. Smoak. Sharing Data in Collective Interactive Performances: The SenseWorldDataNetwork In Proceedings for 9th Annual Conference in New Interfaces for Musical Expression (NIME 2009), Pittsburg, Pa, USA:
Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance 2007

Salter, Chris and Marije Baalman and Daniel Moody-Grigsby. Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance In Proceedings for the 2007 International Computer Music Conference (ICMC), edited by
Schwelle: Sensor Augmented, Adaptive Sound Design for Live Theatrical Performance 2007

Salter, Chris and Marije Baalman and Daniel Moody-Grigsby. Schwelle: Sensor Augmented, Adaptive Sound Design for Live Theatrical Performance In Proceedings for the 7th Annual Conference in New Interfaces for Musical Expression (NIME 2007), edited
Sponge: A Case Study in Practice-based, Collaborative Research 2005

Salter, Chris and Cognition. Sponge: A Case Study in Practice-based, Collaborative Research In Proceedings for the 4th Annual ACM Conference in Creativity and Cognition, Goldsmiths College, London, edited by Proceedings for the 4th Annual ACM
The Construction of Change 1964

Ascott, Roy. The Construction of Change Cambridge Opinion, Modern Art in Britain January (1964): 37 - 42.

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