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Speaking Subject — Lin Pey- Chwen’s Eve Clone
2014
Fang-Ho, Cheng. Speaking Subject — Lin Pey- Chwen’s Eve Clone Artist Magazine (2014): 404-407.
Visualizing post-human and cybersexuality: Lin Pey-Chwen and the Eve Clone Series
2016
Dr. Turner, Ming. Visualizing post-human and cybersexuality: Lin Pey-Chwen and the Eve Clone Series East Asian Journal of Popular Culture 2, no. 2 (2016): 227-245.
From Pupa to Eve Clone: Lin Pey-Chwen Empowering Feminity
2014
Kuang-ying Kuo, Gwen. From Pupa to Eve Clone: Lin Pey-Chwen Empowering Feminity Taiwan Digital Art and Information Center (2014).
Revelation -Notification: Research Solo Exhibitionby Lin Pey-Chwen
2013
Hsiao-chiu, Lai. Revelation -Notification: Research Solo Exhibitionby Lin Pey-Chwen http://www.linpeychwen.org/wp-content/uploads/2013/09/Revelation-Notification.pdf.
Quasi-skin and post-human: Lin Pey-Chwen´s Eve Clones (2010-2011)
2012
Dr. Turner, Ming. Quasi-skin and post-human: Lin Pey-Chwen´s Eve Clones (2010-2011) n.paradoxa international feminist art journal 30 (2012): 33-39.
The Gaze from the Apocalypse
2016
Cheng-yu, Pan. The Gaze from the Apocalypse Art Accrediting, Kaohsiung Museum of Fine Arts , no. 67 (2016).
Is Life Beautiful? On Lin Pey-Chwen´s Anti-Tech Tech Art
2011
Yeh, C. J.. Is Life Beautiful? On Lin Pey-Chwen´s Anti-Tech Tech Art Ming Chuan - Magazine (2011): 53-56.
VIDEO: The opening of the Performing Data exhibition by Monika Fleischmann & Wolfgang Strauss in Laznia CCA in Gdańsk, Poland
2011
Charzyńska, Jadwiga and Ryszard W. Kluszczyński and Wolfgang Strauss and Monika Fleischmann. VIDEO: The opening of the Performing Data exhibition by Monika Fleischmann & Wolfgang Strauss in Laznia CCA in Gdańsk, Poland
Modulating Territories, Penetrating Boundaries
2010
Hosale, Mark-David and Chris Kievid. Modulating Territories, Penetrating Boundaries Footprint 6, no. 55- 67 (Spring 2010): 12.
6ème Salon international d’arts plastiques Valognes, Valognes/Charon
2001
.. 6ème Salon international d’arts plastiques Valognes, Valognes/Charon . (2001).
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