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Centre pour l´image contemporaine, Saint-Gervais, Genéve and l´Université Paris 8, ed. La relation comme forme. L´interactivité en Art. Dijon, France: Les Presses du Réel, 2004.

Lacy, Suzanne, ed. Mapping the Terrain: New Genre Public Art. : Bay Press, 1994.

Schilling, Alfons. Ich / Auge / Welt - The Art of Vision. Wien, New York: Springer Verlag, 1997.

Weibel, Peter and Otto E. Rössler. The two Levels of Reality - Exo and Endo In Art Lab 1st Symposium, The Current Condition and the Future of Digital Art, edited by Y. Shihata, 16. Tokyo, Japan: Canon, 1991.

Weibel, Peter. Statement zu einer Kunst im Netzwerk In Teletopologie Österreich - Materialien zur Medienkunst, Medien.Kunst.Passagen, edited by Thomas Feuerstein and Romana Schuler, 153-160. Wien: Passagen Verlag, 1994.

Akira, Nakajima. MIC Exploration Space Nihon Kezei Shinbun (May 1996).

Ranzenbacher, Heimo. Metaphors of participation / Metaphern der Partizipation In Ars Electronica 2001: TAKEOVER - Who´s Doing the Art of Tomorrow? / Wer macht die Kunst von morgen?, edited by Gerfried Stocker and Christine SchöpfWien, New York:

Prueitt, Melvin. Art and the Computer. Columbus, OH: McGraw-Hill Higher Education, 1985.

Manovich, Lev. Eine Archäologie des Computerbildschirms Kunstforum 132 (1996): 124-135.

Mitchell, W. J.. Repräsentation In Was heisst "Darstellen"?, edited by Christiaan L. Nibbrig-HartFrankfurt/Main: Suhrkamp, 1994.