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The Dump, 207 Hypotheses for Committing Art 2011

...Benayoun, M.. The Dump, 207 Hypotheses for Committing Art. France:...
An affective model of user experience for interactive art 2008

Benayoun, M. and Stephen W. Gilroy and Marc Cavazza. An affective model of user experience for interactive art International Conference on Advances in Computer Entertainment Technologies (2008).
PAD–based Multimodal affective fusion 2009

Benayoun, M. and Stephen W. Gilroy and Marc Cavazza. PAD–based Multimodal affective fusion Affective Computing and Intelligent Interaction (2009).
Using affective trajectories to describe states of flow in interactive art 2009

Benayoun, M. and Stephen W. Gilroy and Marc Cavazza. Using affective trajectories to describe states of flow in interactive art International Conference on Advances in Computer Entertainment Technologies (2009).
Le devenir de l’A.M.E., la réalité virtuelle comme écosystème pour la création artistique 2010

Benayoun, M.. Le devenir de l’A.M.E., la réalité virtuelle comme écosystème pour la création artistique 01 Design, Edit. Europia (2010).
So.So.So. Somebody, Somewhere, Some Time 2012

... Somewhere, Some Time Theories and Documents of...
The Nervous Breakdown of the Global Body, An organic model of the connected world 2010

...Benayoun, M.. The Nervous Breakdown of the Global Body, An organic...
Architectures réactives de la communication 1998

Benayoun, M.. Architectures réactives de la communication www.benayoun.com.
The Birth of Eve Clone - Technological Satire of a Genetic Reproduction Laboratory 2011

...Tseng, Jane. The Birth of Eve Clone - Technological Satire of a... a Genetic Reproduction Laboratory Art Appreciation ...
MERCE CUNNINGHAM: COMMON TIME 2017

Fionn Meade and Joan Rothfuss and Olga Viso, ed. MERCE CUNNINGHAM: COMMON TIME. Minnesota: Walker Art Center, 2017.

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