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be prepared! tiger!
2010
...Schmidt, Sabine Maria. be prepared! tiger!
Art
icle
Art
ist´s Homepage.
Brain Wave
2009
...Ann Landi. Brain Wave
ART
news (June 2009): 92-93.
Le devenir de l´A.M.E., la réalité virtuelle comme écosystème pour la création
art
istique
2010
... la réalité virtuelle comme écosystème pour la création
art
istique In Design assisté par concepteur, actes colloque 01 Design, :...
Syntax as Sign: the Use of Ecological Models Within a Semiotic Approach to Electroacoustic Composition
2010
Basanta, Adam. Syntax as Sign: the Use of Ecological Models Within a Semiotic Approach to Electroacoustic Composition Organised Sound 15, no. 2 (August 2010): 125-132.
Embodied Sound, Enacted Music: Considerations for the Re-conceptualization of Composition, Analysis and Performance
2010
Basanta, Adam. Embodied Sound, Enacted Music: Considerations for the Re-conceptualization of Composition, Analysis and Performance In Ncounters, Graduate Music Students Association Conference, University of Alberta: 2010.
Potentialities of Meaning: a performance study perspective investigation into the relationship between the composer, composition and audience in contemporary fixed medium sound
art
2009
... composition and audience in contemporary fixed medium sound
art
inter/tidal ii: SFU Humanities Student Union Academic Journal ...
Excerpts from "Text-based: Aesthetic Treatment of Sound Materials in Text-sound Compositions"
2009
Adam Basanta. Excerpts from "Text-based: Aesthetic Treatment of Sound Materials in Text-sound Compositions" inter/tidal: SFU Humanities Academic Journal (2009).
Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance
2008
Chris Salter. Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance In CMMR Post Symposium Proceedings, Springer LNCS Series, : 2008.
Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance
2007
Salter, Chris and Marije Baalman and Daniel Moody-Grigsby. Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance In Proceedings for the 2007 International Computer Music Conference (ICMC), edited by
Sponge: The Surface That Holds the Image is Unstable
2000
...Chris Salter. Sponge: The Surface That Holds the Image is Unstable ec/
art
sS 2[00-01]: Special: Textualities and Nouvelles Technologies 2, no. 1...
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