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Introduction to Interactive Art
1989
Sakane, Itsuo. Introduction to Interactive Art In Wonderland of Science-Art (Comittee for Kanawaga International Art and Science Exhibition), , 3. Kanagawa, Japan: 1989.
Evolving Complexity
1996
Ray, Tom S.. Evolving Complexity In International Symposium on Artificial Life and Robotics Proceedings, : 1996.
Prix Ars Electronica: Internationales Kompendium der Computerkünste
1990
Leopoldseder, Hannes. Prix Ars Electronica: Internationales Kompendium der Computerkünste. Linz: Veritas-Verlag, 1990.
Interacting with Artificial Life: A-Volve
1997
Sommerer, Christa and Laurent Mignonneau. Interacting with Artificial Life: A-Volve Complexity Journal 2, no. 6 (1997): 13-21.
Modeling the Emergence of Complexity: Complex Systems, the Origin of Life and Interactive On-Line Art
2002
Sommerer, Christa and Laurent Mignonneau. Modeling the Emergence of Complexity: Complex Systems, the Origin of Life and Interactive On-Line Art LEONARDO Journal 35, no. 2 (April 2002): 567-575.
Beyond the Web: Manipulating the Real World
1995
Goldberg, Ken and Michael Mascha and Steven Gentner and Rossman Jürgen and Nick Rothenberg and Carl Sutter and Jeff Wiegley. Beyond the Web: Manipulating the Real World Computer Networks and ISDN Systems Journal 28, no. 1 (December 1995):
Modeling Complex Systems for Interactive Art
2000
Sommerer, Christa and Laurent Mignonneau. Modeling Complex Systems for Interactive Art In Applied Complexity – From Neural Nets to Managed Landscapes, edited by Halloy S. and T. Williams, 25-38. Christchurch: Institute for Crop and Food Research,
The World of Art and Artificial Life
1996
Sommerer, Christa and Laurent Mignonneau and U. Yoshiyuki. The World of Art and Artificial Life Computer Today Journal 1, no. 71 (1996): 41-46.
Computer Artist Char Davies
1994
Robertson, Barbara. Computer Artist Char Davies Computer Artist 3, no. 2 (February/March 1994): 16-20.
Digital Dialectics: A Hybrid Theory of Computer Media
1993
Lunenfeld, Peter. Digital Dialectics: A Hybrid Theory of Computer Media Afterimage 21 (November 1993): 5-7.
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