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Bredekamp, Horst. Politische Theorien des Cyberspace In Kritik des Sehens, edited by Ralf Konersmann, 320-339. Leipzig: 1997.

Gamblin, Noriko and Carole Ann Klonarides, ed. Sugar´n Spice. Santa Monica: Long Beach Museum of Arts, 1993.

Bostic, Adam I.. Automata: Seeing Cyborg Through the Eyes of Popular Culture, Computer-Generated Imagery, and Contemporary Theory Leonardo 31, no. 5 (1998).

Cashill, Robert. Virtual World Theatre Crafts International TCI 29, no. 2 (February 1995): 44.

Decker-Phillips, Edith and Peter Weibel, ed. Vom Verschwinden der Ferne. Telekommunikation und Kunst. Köln: DuMont Reiseverlag, 1990.

Brown, Paul. Metamedia and Cyberspace: Advanced Computers and the Future of Art, Technology and Creativity In Culture, Technology and Creativity, edited by Philip HaywardLondon: John Libbey and Arts Council, 1990.

Dove, Toni. Theater without Actors - Immersion and Response in Installation Leonardo 27, no. 4 (1994): 281-287.

Fisher, Scott S.. Virtual Environments: Personal Simulations and Telepresence In Virtual Reality: Theory, Practice and Promise, edited by S. Helsel and J. RothWestport, Connecticut: Meckler Publishing, 1991.

Flusser, Vilém. Für eine Philosophie der Fotografie. 1983, Berlin: Verlag European Photography, 1983.

Emmer, Michele and Victor Acevedo and Valentina Barucci and Jos de May and Sandro Del-Prete and Robert Fathauer and et. al. Homage to Escher Leonardo 1, no. 33 (2000): 3-16.