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A-positive: Art at the Biobotic Frontier 1997

...Kac, Eduardo. A-positive: Art at the Biobotic Frontier. Chicago: 1997.
The History of Gender and Art in Post-Soviet Space 2010

... Art, ed. The History of Gender and Art in Post-Soviet Space. Moscow: MMOMA, 2010.
Theory and Practice of Media Art: Aesthetic Parergons and Perspectives 2010

... Parergons and Perspectives In First Post Industrial Contemporary Art Biennale, edited...
The Question of Thresholds: Immersion, Absorption and Dissolution in the Environments of Audio-Vision 2009

...Salter, Chris. The Question of Thresholds: Immersion, Absorption and Dissolution in the Environments...
Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance 2008

... in Live Performance In CMMR Post Symposium Proceedings, Springer LNCS Series,...
Towards a Field Theory for Postmodernist Art 1980

...Ascott, Roy. Towards a Field Theory for Postmodernist Art Leonardo 13, no. 13 (1980): 51-52.
How We Became Posthuman: Virtual Bodies in Cybernetics, Literature and Information 1999

...Hayles, Katharine. How We Became Posthuman: Virtual Bodies in Cybernetics, Literature and...
GUISE exhibition catalogue essay by Diyan Achjadi 2001

Willet, Jennifer. GUISE exhibition catalogue essay by Diyan Achjadi. Québec: Articule Artist Run Centre Montréal, 2001.
GUISE 2001

Willet, Jennifer and Diyan Achjadi. GUISE. Québec: Articule Artist Run Centre Montréal, 2001.
The Digital Shock 2006

...Fischer, Hervé. The Digital Shock. Quebec: McGill and Queen's University Press, 2006.

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