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Sommerer, Christa and Laurent Mignonneau. Modeling Complex Systems for Interactive Art In Applied Complexity – From Neural Nets to Managed Landscapes, edited by Halloy S. and T. Williams, 25-38. Christchurch: Institute for Crop and Food Research,

Sommerer, Christa and Laurent Mignonneau and U. Yoshiyuki. The World of Art and Artificial Life Computer Today Journal 1, no. 71 (1996): 41-46.

Robertson, Barbara. Computer Artist Char Davies Computer Artist 3, no. 2 (February/March 1994): 16-20.

Lunenfeld, Peter. Digital Dialectics: A Hybrid Theory of Computer Media Afterimage 21 (November 1993): 5-7.

NGBK, ed. Erzeugte Realitäten II: Stelarc, Orlan, Luis Bec. Der Körper und der Computer. Berlin: Neue Gesellschaft für Bildende Kunst, 1994.

Goldberg, Ken. Completeness in Robot Motion Planning In Algorithmic Foundations of Robotics, edited by Ken et. al. GoldbergVol.1. Algorithmic Foundations of Robotic Series, Wellesley, MA: A. K. Peters, 1995.

Kelly, Kevin. Genetic Images. When Computers Breed Art and Humans Direct the Flow of Fate, Startling, Alien Beauty is Born Wired Magazine 2.09 (September 1994).

Zapp, Andrea. Auf dem Weg zu einer neuen Mediensprache / On the Way to a New Media Language In Computer Art Faszination, edited by Gerhard Dotzler, 236. Frankfurt/Main: Dr. Dotzler Medien Institut, 1993.

Tosa, Naoko and Ryohei Nakatsu and Joy Nicholson. Emotion Recognition and its Application to Computer Agents with Spontaneous Interactive Capabilities In Workshop on Emotion-Based Agent Architectures (EBAA’99), , 84-93. : 1999.

Schroeder, Michael and Daniela A. Plewe and Andreas Raab. Ultima Ratio - A Visual Language for Argumentation In Proceedings of International Conference on Information Visualisation, London, UK, edited by IEEE Computer SocietyVol.IV. , 510-515.