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Burns, David R.. The Valuation of Emerging Media Arts in the Age of Digital Reproduction In Electronic Visualisation and the Arts (EVA), London, UK: Electronic Visualisation and the Arts (EVA) London, 2010.

Langton, Christopher G., ed. Artificial Life. An Overview. Cambridge, MA: MIT Press, 1995.

Wirths, Axel. Ort und Raum In Der elektronische Raum - 15 Positionen zur Medienkunst, edited by Gérard Goodrow and David Dunn and Axel Wirths, 12. Ostfildern-Ruit: Hatje Cantz Verlag, 1998.

Bense, Max and Elisabeth Walther, ed. Einige Mathematische Elemente der Kunst. Band 37, Stuttgart: Edition Rot, text 37, 1968.

Kac, Eduardo and Eric Vos and Johanna Drucker. Key Concepts of Holopoetry In Experimental - Visual - Concrete: Avant-Garde Poetry Since the 1960s, edited by K. David Jackson, 247-257. Amsterdam; Atlanta: Rodopi, 1996.

Hauser, Jens. It’s Time for a Wetware Update In WETWARE: Art - Agency - Animation, edited by David Familian and Jens Hauser, 11-21. Irvine: Regents of the University of California, 2016.

Cubitt, Sean. Data Visualisation and the Subject of Political Aesthetics In postdigital aethetics, edited by David Berry and Michael DieterLondon: Palgrave Macmillan, 2015.

Gunning, Tom. Re-Newing Old Technologies: Astonishment, Second Nature, and the Uncanny in Technology from the Previous Turn-of-the-Century In Rethinking Media Change The Aesthetics of Transition, edited by David Thorburn and Henry

Zareei, Mo. Audiovisual Materialism Organised Sound 25, no. 3 (November 2020): 362-371.

OLIVEIRA, André Luiz Gonçalves de and Diana Domingues. Enactive soundscapes: towards a naturalized aesthetic Phd Thesis, UnB, Brasilia, 2013.