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Penny, Simon. Agents as Artworks and Agent Design as Artistic Practice In Human Cognition and Social Agent Technology, edited by Kerstin DautenhahnAmsterdam, NL: John Benjamins Publishing Company, 1999.

Penny, Simon. Death of the New (Venice Biennale 1984) Artlink (1984).

Penny, Simon. Simulation: Digitization, Interaction: The Impact of Computing Arts Artlink 7, no. 3/4 (1987).

Penny, Simon. New Territory: Art Practice in the Digital Environment Artlink (March 1989).

Penny, Simon. The Darwin Machine: Artificial Life and Interactive Art New Formations 29 (1996): 65.

Penny, Simon. Darwinin kone: keinoelämä ja taide (Excerpts from the Darwine Machine: Artificial Life and Art) In Johdatus uuteen mediaan (Introduction to New Media), edited by Minna Tarkka and Kari A. Hintikka and Asko Mäkelä, 183-194. Helsinki:

Penny, Simon. Disentangling Utopian Dreams In The Computer is not Sorry, Boston: 1993.

Penny, Simon. Realitäten des Virtuellen In Perspektiven der Medienkunst. Museumspraxis und Kunstwissenschaft. Antworten auf die digitale Herausforderung, edited by ZKM Karlsruhe, 16-24. Karlsruhe, DE: ZKM Karlsruhe, 1996.

Penny, Simon. Körperwissen, digitale Prothesen und kognitive Diversität Kunstforum International 132 (1995): 151-157.

Penny, Simon. Consumer Culture and the Technological Imperative: The Artist in Dataspace In Critical Issues in Electronic Media, edited by Simon Penny, 47-74. Albany, NY: State University of New York Press, 1995.