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Ronge, Hans. Kunst und Kybernetik. Ein Bericht über drei Kunsterziehertagungen Recklinghausen 1965, 1966 und 1967. Köln: DuMont Schauberg, 1968.

Spruch, Grace Marmor. Two Contributions to the Art and Science Muddle; A Report on a Symposium on Art and Science Held at the Massachusetts Institute of Technology, March 20 - 22, 1968 Artforum VII, no. 5 (January 1969): 28-32.

Burks, Arthur, ed. Theory of Self-Reproducing Automata. Urbana, London: University of Illinois Press, 1966.

Whitney, John. Bewegungsbilder und elektronische Musik In Heft 7 - Forum - Raum, edited by Herbert EimertVol.7. Die Reihe, Wien, Zürich, London: Universal Edition Wien, 1960.

Weber, Christian. reundschaft im Internetzeitalter. Du hast 100 neue Freunde [].

Cirio, Paolo and Alessandro Ludovico. The Hacking Monopolism Trilogy In ISEA 2013: Resistance is futile. Proceedings of the 19th International Symposium on Electronic Art, edited by Kathy Cleland and Laura Fisher and Ross HarleySydney: 2013.

Nelkin, Dorothy and Suzanne Anker. The influence of genetics on contemporary art Nature Reviews 3 (December 2002): 967-971.

Nelkin, Dorothy and Suzanne Anker. The influence of genetics on contemporary art Nature Reviews 3 (December 2002): 967-971.

Willet, Jennifer and Shawn Bailey. BIOTEKNICA: Organic Tissue Prototypes The State of the Real: Aesthetics in the Digital Age, Damian Sutton, Susan Brind and Ray McKenzie, Edts. (2006): 125-134.

Willet, Jennifer. BIOTEKNICA: Reflections on Reproductive and Cloning Technologies Graduate Researcher: Journal for the Arts Science and Technology 1, no. 2 (2003).