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Greimas, Algirdas Julien. Sémantique structurale: Recherche de methode. Paris: Larousse, 1966.

Basanta, Adam. Potentialities of Meaning: a performance study perspective investigation into the relationship between the composer, composition and audience in contemporary fixed medium sound art inter/tidal ii: SFU Humanities Student Union Academic

Salter, Chris and Marije Baalman and Daniel Moody-Grigsby. Between Mapping, Sonification and Composition: Responsive Audio Environments in Live Performance In Proceedings for the 2007 International Computer Music Conference (ICMC), edited by

Salter, Chris and Cognition. Sponge: A Case Study in Practice-based, Collaborative Research In Proceedings for the 4th Annual ACM Conference in Creativity and Cognition, Goldsmiths College, London, edited by Proceedings for the 4th Annual ACM

Knowlton, Kenneth C.. Computer Animated Movies In Cybernetic Serendipity: The Computer and the Arts, edited by Jasia Reichhardt, 62. London: Studio International Special Issue, 1968.

Moles, Abraham André. Cybernétique et Oeuvre d´Art Revue d´Esthétique 18 (1965): 163-182.

Pierce, John R.. A Chance for Art In Cybernetics, Art and Ideas, edited by Jasia Reichhardt, 46 - 56. London: Studio Vista, 1971.

Preusser, Robert. Relating Art to Science and Technology: An Educational Experiment at the Massachusetts Institute of Technology (M.I.T.) Leonardo 6, no. 3 (Summer 1973): 199 - 206.

Ray, Thomas. An Approach to the Synthesis of Life In Artificial Life II, edited by Christopher Langton and Charles Taylor and Steen et. al. RasmussenVol.XI. , 371 - 408. Redwood City, California: Addison-Wesley, 1991.

Reichardt, Jasia, ed. Cybernetics, Art and Ideas. London: Studio Vista, 1971.