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Diebner, Hans and Timothy Truckerey and Peter Weibel, ed. Sciences of the Interface: Proceedings of the International Symposium, ZKM_Karlsruhe, May 18 - 21, 2000. Tübingen: Genista Verlag, 2001.

Gunning, Tom. Re-Newing Old Technologies: Astonishment, Second Nature, and the Uncanny in Technology from the Previous Turn-of-the-Century In Rethinking Media Change The Aesthetics of Transition, edited by David Thorburn and Henry

Durand, Guy Sioui. L´indiscipline: essai sur deux zones fluides de l´interdisciplinarité en art In Penser l’indiscipline : recherches interdisciplinaires en art contemporain, edited by Lynn Hughes and Marie-Josée LafortuneMontreal, CAN: Optica,

Fleischmann, Monika and Shaw Jeffrey. Digitale Muse Internet? / Digital Muse Internet? In Perspektiven der Medienkunst/ Perspectives of Media Art, edited by Hans Peter SchwarzOstfildern-Ruit: Edition ZKM and Cantz Verlag, 1996.

Schwarz, Hans-Peter. Retroactive and Interactive Media Art. On the Works of Agnes Hegedüs In Agnes Hegedüs – Interactive works, Kunst und Ausstellungshalle der Bundesrepublik Deutschland Bonn, edited by Agnes Hegedüs and ZKM Karlsruhe: ZKM

Didi-Huberman, Georges. Was wir sehen, blickt uns an: Zur Metapsychologie des Bildes. München: Wilhelm Fink Verlag, 1999.

Bredekamp, Horst. A Neglected Tradition: Art History as Bildwissenschaft Critical Inquiry 29 (2003).

Gombrich, Ernst Hans. Kunst und Fortschritt. Wirkung und Wandlung einer Idee. Köln: DuMont Buchverlag, 2002.

Maharaj, Sarat. Xeno-epistemics: Makeshift Kit for Visual Art as Knowledge Production and the Retinal Regimes In Documenta 11, Ostfildern-Ruit: Hatje Cantz, 2002.

Fortin, Sylvie and Sue Ditta, ed. Strange Attractors: A History of Video Production and Presentation in Ottawa. : 2000.