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Novak, Jasminko et al. AN ELECTRONIC ARENA FOR PARTICIPATION IN CONNECTED COMMUNITIES eRENA. Electronic Arenas for Culture, Performance, Art & Entertainment (Esprit project 25379). Brüssel 2000. In eRENA. Electronic Arenas for Culture, Performance,

Novak, Jasminko et al. AN ELECTRONIC ARENA FOR PARTICIPATION IN CONNECTED COMMUNITIES eRENA. Electronic Arenas for Culture, Performance, Art & Entertainment (Esprit project 25379). Brüssel 2000. In eRENA. Electronic Arenas for Culture, Performance,

.. Drawing in Slovenia II. 1940 – 2009, City Art Museum Ljubljana. Ljubljana: City Art Museum Ljubljana . (2009).

Becker, Daniel. Monika Fleischmanns und Wolfgang Strauss' „Liquid Views“ – der virtuelle Spiegel des Narziss. Wissenschaftliche Hausarbeit zur Erlangung des akademischen Grades eines Magister Artium der Universität Hamburg [

Becker, Daniel. Monika Fleischmanns und Wolfgang Strauss' „Liquid Views“ – der virtuelle Spiegel des Narziss. Wissenschaftliche Hausarbeit zur Erlangung des akademischen Grades eines Magister Artium der Universität Hamburg [

Pierre Martin. Pierre Martin, “Lin Pey Chwen Installation Catching at MOCA Taipei: an Installation wortg experiencing” “Lin Pey Chwen Installation Catching at MOCA Taipei: an Installation wortg experiencing” (2011).

Chih-Yung Aaron Chiu. Chih-Yung Aaron Chiu, “Eve Clone Series Critiques and Satirizes the Creations of the Technological Age” “Eve Clone Series Critiques and Satirizes the Creations of the Technological Age” (2012).

Chih-Yung Aaron Chiu. Chih-Yung Aaron Chiu, “God’s Will or Human Desire The Irony and Criticism in Lin Pey-Chwen’s Eve Clone series” “God’s Will or Human Desire The Irony and Criticism in Lin Pey-Chwen’s Eve Clone series” (2017).

Ming Turner. Ming Turner,Quasi-skin and Cyberfeminism: 2020 Eve Clone Series by Pey-Chwen Lin Quasi-skin and Cyberfeminism: 2020 Eve Clone Series by Pey-Chwen Lin (2020).

Luchia Meihua Lee and Ken Howell. Luchia Meihua Lee and Ken Howell, “A Clarifying Aspect of the Recreation of Nature: Sence of Peychwen’s Artificial Nature” “A Clarifying Aspect of the Recreation of Nature: Sence of Peychwen’s Artificial Nature”