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Nils Jean. ‘Instructions’ catalogue essay for Fieldwork 2 RCA Visual Communication Researchers Exhibition catalogue (2012).

Moes, Fabiana. Borges, Science Fiction, Hyperfiction: three means to Post-Human ? Borges, Ficção Científica, Hiperficção: três caminhos para o Pós-humano? academia.edu (2007).

Cubitt, Sean. The Practice of Light A Genealogy of Visual Technologies from Prints to Pixels. Leonardo Book, Camebridge: MIT Press, 2014.

Cubitt, Sean. The Cinema Effect. Cambridge: MIT Press, 2005.

Neidich, Warren. The Psychopathologies of Cognitive Capitalism, Part 2. Berlin: Archive Press, 2014.

Steinback, Charles and Stephen Marguiles and David Hunt. Warren Neidich: Camp O.J.. Charlottesville, Virginia: Distributed Art Publishing, Inc. and Bayly Art Museum, 2000.

Cubitt, Sean and Gunalan Nadarajan and José‐Carlos Mariátegui. Social Formations of Global Media Art Third Text: Special issue MEDIA ARTS: Practice, Institutions and Histories 23, no. 3 (May 2009): 217-228.

Joselit, David and Ron Platt and Anita Doutha. Warren Neidich: Historical In(ter)vention. Cambridge, Massachusetts: M.I.T. List Center, 1991.

Cubitt, Sean and Gundalan Nadarajan and José-Carlos Mariátegui. Social Formations of Global Media Art Third text: Special Issue MEDIA ARTS: Practice, Institutions and Histories 23, no. 3 (May 2009): 217-228.

Block, Friedrich W. and Christiane Heiback and Karin Wenz. pOes1s: Ästhetik digitaler Poesie / The Aesthetics of Digital Poetry. Ostfildern: Hatje Cantz Verlag, 2004.