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Surveiller et punir. Naissance de la prison
1975
Foucault, Michel. Surveiller et punir. Naissance de la prison. Bibliothèque des histories Collection Tel Band 225, Paris: Gallimard, 1975.
Überlegungen zu einem bildwissenschaftlichen Forschungsfeld
1997
Archimedia. Institute for Arts and Technology, ed. Überlegungen zu einem bildwissenschaftlichen Forschungsfeld. Linz: Hochschule für künstlerische und industrielle Gestaltung, Linz, 1997.
"Show and Tell, The Discursive Idea of Things" and "Horror Vacui"
2001
Frohne, Ursula. "Show and Tell, The Discursive Idea of Things" and "Horror Vacui" In (dis)Locations, , 512-61; 84-93. Ostfildern-Ruit: Hatje Cantz, 2001.
Archäologie der Medien: Zur Tiefenzeit des technischen Hörens und Sehens
2002
Zielinski, Siegfried. Archäologie der Medien: Zur Tiefenzeit des technischen Hörens und Sehens. Reinbek, DE: Rowohlt Taschenbuch Verlag, 2002.
Guerilla Performance and Multimedia Handbook
2001
Hill, Leslie and Helen Paris. Guerilla Performance and Multimedia Handbook. London, New York: Continuum, 2001.
Contextes de l´art numerique
2000
Balpe, Jean-Pierre. Contextes de l´art numerique. Paris: Hermes, 2000.
New Media in Late 20th-century Art (World of Art)
2003
Rush, Michael. New Media in Late 20th-century Art (World of Art). London, UK: Thames and Hudson, 2003.
Likeness and Presence: A History of the Image Before the Era of Art
1994
Belting, Hans. Likeness and Presence: A History of the Image Before the Era of Art. Chicago: University of Chicago Press, 1994.
Programming the Post Human, Computer Science redefines "life"
2002
Ullmann, Ellen. Programming the Post Human, Computer Science redefines "life" Harper´s Magazine (October 2002).
The Display as a Looking-Glass: Zu Ivan E. Sutherlands früher Vision der grafischen Datenverarbeitung
2003
Nake, Frieder. The Display as a Looking-Glass: Zu Ivan E. Sutherlands früher Vision der grafischen Datenverarbeitung In Visionen, Pardigmen und Leitmotive in der Geschichte der Informatik, edited by Hans Dieter HelligeBerlin, Heidelberg, New York:
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