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[in time time] introductory essay to Pat Badani's exhibition
2008
Patrick, Martin. [in time time] introductory essay to Pat Badani's exhibition Tarble Art Center exhibition catalogue (02.24.2008 2008): 3.
_HTTPpix _HTTPvideo Criação e Crítica nas Redes de Imagens
2010
Beiguelman, Giselle, ed. _HTTPpix _HTTPvideo Criação e Crítica nas Redes de Imagens. São Paulo: Instituto Sergio Motta, 2010.
« D’où venons-nous ? Qui sommes-nous ? Où allons-nous ? », in "Where are you ?"
2001
Bokhorov Constantin. « D’où venons-nous ? Qui sommes-nous ? Où allons-nous ? », in "Where are you ?". Moscow, Russia: Moscow Contemporary Art Institute, 2001.
« Erehwon et son double », in "Where are you ?"
2001
Wright Stephen. « Erehwon et son double », in "Where are you ?". Moscow, Russia: Moscow Contemporary Art Institute, 2001.
« Histoire(s) d’une main »,for « Archivages »
2000
Lestocart Louis José. « Histoire(s) d’une main », for « Archivages ». Paris, France: ,, 2000.
« Olga Kisseleva: quand le regard fait sa révolution » in "A clairvoyant told me I have a problem with my eyes : that I couldn’t see reality…"
2000
Frédéric Bouglé. « Olga Kisseleva: quand le regard fait sa révolution » in "A clairvoyant told me I have a problem with my eyes : that I couldn’t see reality…". : 2000.
« Pays de Cocagne » in "Covalences"
2002
Leleu Nathalie. « Pays de Cocagne » in "Covalences". Orléans, France: CNRS, 2002.
« Une voyante m’a dit », Keur Thiosane – Artfactories,
2012
Marguerin Mathieu. « Une voyante m’a dit », Keur Thiosane – Artfactories,. Dakar, Senegal: 10th Biennial of Contemporary Art, 2012.
«ŽEN D’АRТ. THE GENDER HISTORY OF ART IN THE POST-SOVIET SPACE: 1989—2009»
2010
Nataliya Kamenetskaya and Oksana Sarkisyan. «ŽEN D’АRТ. THE GENDER HISTORY OF ART IN THE POST-SOVIET SPACE: 1989—2009». Moscow, Russia: Moscow Museum of Modern Art, 2010.
¿Por qué llamarlo Copia, si es Original?. El arte de la Copia Original odel Original Múltiple como estrategia creativa. / Why call it Copy, if it is Original?. The Art of the Original Copy or the Multiple Original as creative strategy.
2015
Escribano Belmar, Beatriz. ¿Por qué llamarlo Copia, si es Original?. El arte de la Copia Original o del Original Múltiple como estrategia creativa. / Why call it Copy, if it is Original?. The Art of the Original Copy or the Multiple Original as...
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