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.. Camera Lucida, exhibition at Gallery Škuc, SCCA, Center for Contemporary Arts – World of Art 2002 . (2002).

Nemec, Gaspard. Interview: Matt Kenyon. The cross-platform artist talks technology, politics and his newest work, SUPERMAJOR [].

Pearlman,Ellen. Interface Criticism: Aesthetics Beyond Buttons by Christian Ulrik Andersen & Soren Pold Eds. Leonardo On-Line Reviews May.

Kronman, Linda and Andreas Zingerle. ‘EVIL WEB BUSINESSES, ROMANCE SCAMS AND PHONE FRAUD. 3 ARTISTIC CASE STUDIES DECONSTRUCTING SCAMMERS ONLINE IDENTITIES (2017).

Association Leonardo/ Olats. Lorsque les avatars du virtuel se tournent vers l`Afrique: Introduction aux oeuvres de Stasia McGehee et de Rebecca Allen .

Salter, Chris and Marije Baalman and Daniel Moody-Grigsby. Schwelle: Sensor Augmented, Adaptive Sound Design for Live Theatrical Performance In Proceedings for the 7th Annual Conference in New Interfaces for Musical Expression (NIME 2007), edited

Joyce, Michael. Other Mindedness: The Emergence of Network Culture. The University of Michigan Press, Ann Arbor, 2000.. : The University of Michigan Press, 2000.

Pires, Kenia F and Leina A.B Pimenta and Marcelino M. de Andrade and DIANA MARIA G DOMINGUES and Cristiano MIOSSO and Adson ROCHA. Influence of Neuromuscular Electrical Stimulation on the Conduction Velocity Measured Using EMG Signals Provided by

Youngblood, Gene. The aura of the simulacrum. Der Computer und die Zukunft der Kunst, Vortrag in der Kunsthochschule für Medien, Köln, 14. Mai 1991, Vortragszusammenfassung von Jürgen Kisters Kunstforum 114 (1991): 398.

Susana Pérez Tort. Susana Pérez Tort, “Pey Chwen Lin—The Portrait of Eve Clone” “Pey Chwen Lin—The Portrait of Eve Clone” (2010).