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Chatzichristodoulou, Maria and Janis Jefferies and Rachel Zerihan, ed. Interfaces of Performance. London: Routledge, 2016.

Jamieson, Helen Varley. "Real Time, Virtual Space, Live Theatre" - chapter in The Aotearoa Digital Arts Reader; ISBN: 978-0-9582789-9-7;. New Zealand: Clouds, 2008.

Andres Burbano, ed. Siegfried Zielinski: Genealogías, visión, escucha y comunicación. 1st th ed.Bogotá, Colombia: Universidad de Los Andes : Goethe Institut Bogotá, 2007.

Zielinski, Siegfried and Hans Ulrich Reck and Thomas Hensel, ed. Decodieren von Subtexten. Erforschung a-logischer Strukturen. In: Lab - Jahrbuch 2000 für Künste und Apparate, 2000 th ed.Cologne, Germany: Verlag der Buchhandlung Walter König, 2000.

Andres Burbano and Andres Jurado and Luis Blackaller and Ricardo Miranda Zuñiga and Sharon Daniel and Manuel Orellana Sandoval. CATÁLOGOS RAZONADOS IDARTES (2014).

Ricardo Miranda Zuñiga and Sharon Daniel and Luis Blackaller and Manuel Orellana Sandoval and Andres Jurado and Andres Burbano. Catálogos Razonados: Artes Medievales Convergencias y Tecnologías. Idartes (2014).

Andrés Burbano and Esteban García Bravo. Konrad Zuse: enabler of computational arts? Archiving and Questioning Immateriality , no. 190 (2016).

Parker, Kayla and Stuart Moore. Framing memory: return to the zone AVANCA | CINEMA 2018 (July 2018): 103-108.

Ziegler, Philipp and Andreas Beitin and Bader Joerg, ed. Armin Linke, The Appearance of That Which Cannot be Seen. Leipzig: Spector Books, 2017.

Weibel, Peter. Musik und Medien. Vom Klang im technischen Zeitalter. Vol.2. Enzyklopädie der Medien, Berlin: Hatje Cantz, 2016.