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White Heat Cold Logic: British Computer Art 1960-1980
2008
Mason, Catherine and Paul Brown and Charlie Gere and Nicholas Lambert, ed. White Heat Cold Logic: British Computer Art 1960-1980. Leonardo Book Series, Cambridge, Mass. London, England: MIT Press, 2008.
Who and What are the Quarxs?
2016
Benayoun, M.. Who and What are the Quarxs? POST PIXEL.Animamix Biennale 2015-6 (2016).
Who´s Afraid of Cyberspace
1995
Sand, Michael. Who´s Afraid of Cyberspace Tate: The Art Magazine 6 (Summer 1995): 36-39.
Why a poem in space?
2017
Marchal, Hugues. Why a poem in space? Espace(s)CNES - The Space Observatory (2017).
Why Do We Want Our Machines to Seem Alive?
1995
Penny, Simon. Why Do We Want Our Machines to Seem Alive? Scientific American, 150th anniversary issue (September 1995).
Wie man sieht...Kunst mit Fotografie und andere mediale EskapadenDie Kunsthochschule für Medien Köln zu Gast im Museum Ludwig vom 07.07.-19.09.2000
2000
Zielinski, Siegfried and Kerstin Bergmann, ed. Wie man sieht...Kunst mit Fotografie und andere mediale Eskapaden Die Kunsthochschule für Medien Köln zu Gast im Museum Ludwig vom 07.07.-19.09.2000....
Wigglism: A Philosophoid Entity Turns Ten
2007
Fisher, Ebon. Wigglism: A Philosophoid Entity Turns Ten Leonardo 40, no. 1 (February 2007): 37-42.
Will the Real Body Please Stand Up? Boundary Stories about Virtual Cultures
1992
Stone, Allucquére Rosanne. Will the Real Body Please Stand Up? Boundary Stories about Virtual
Cultures In Cyberspace: First Steps, edited by Michael BenediktCambridge: The MIT Press, 1992.
Window Shopping: Cinema and the Postmodern
1994
Friedberg, Anne. Window Shopping: Cinema and the Postmodern. Berkeley, CA: University of California Press, 1994.
Windows and Mirrors: Interaction Design, Digital Art, and the Myth of Transparency
2003
Bolter, Jay David and Diane Gromala. Windows and Mirrors: Interaction Design, Digital Art, and the Myth of Transparency. Cambridge, MA: MIT Press, 2003.
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