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Melanitis, Yiannis. Biorobotic environments, interactions and hyperhumans: Interactive robotic performances exploring the potentials of an unknown space towards the potential of a renewed anatomy. In Biotechnological and Medical Items in Science

... Museum of Fine Arts with the Daniel Langlois...

Turbulence, org. Dubious Views: Questioning Institutional representations in tourism and cartography Turbulence.org June 18, 2007 (June 2007).

Schulze, Holger. On Taking Back An Artifical Separation. Introduction to Sound Art Visual, Transmediale 05 [].

... and immersion with enactive affective...

Rettberg, Scott and Sandy Baldwin, ed. Electronic Literature as a Model of Creativity and Innovation in Practice : A Report from the HERA Joint Research Project. Bergen: ELMCIP, 2016.

Boulic, Ronan and Tolga K. Capin and Zhiyong Huang and Prem et. al. Kalra. The HUMANOID Environment for Interactive Animation of Multiple Deformable Human Characters In Proceeding Computer Graphics Forum ´95, edited by Computer Graphics

Beiguelman, Giselle, ed. Tecnofagias: ciência de ponta/ ciência de garagem (III Mostra 3M de arte digital: Tecnofagias. / curator de Giselle Beiguelman). São Paulo/ Instituto Tomie Ohtake: Elo 3, 2012.

Flusser, Vilém. Alle Revolutionen sind technische Revolutionen. Vilém Flusser im Gespräch mit Florian Rötzer Kunstforum International 97 97 (1988): 120-134.

Weibel, Peter, ed. Peter Weibel. Depiction is a Crime. Video Works 1969 - 1975 [DVD+Booklet]. Wien: Medienwerkstatt Wien, 2006.