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Grau, Oliver and Sebastian Haller and Janina Hoth and Viola Rühse and Devon Schiller and Michaela Seiser. Documenting Media Art. An Archive and Bridging Thesaurus for MediaArtHistories Leonardo 52, no. 5 (2019): 435 - 441.

McGarrigle, Conor. Augmented Interventions: Re-defining Urban Interventions with AR and Open Data In Augmented Reality Art: From an Emerging Technology to a Novel Creative Medium, edited by Vladimir Geroimenko, 115-130. Cham: Springer, 2018.

Matt, Gerald and Wolfgang Fetz, ed. Absolutismus und Exzentrik. Die Kunst des Entschwindens. (Assolutismo ed Eccentricita L'Arte dello Svanire.). Bolzano: Bozen Galerie Museum, 1991.

Moore, Lila. Spiral and Waves — The Female Image and Identity in Experimental Films and Videos by Women Filmmakers, Choreographers and Performance Artists Master Thesis, Central Saint Martins College of Art and Design, London, 1989.

Chih-Yung Aaron Chiu. Chih-Yung Aaron Chiu, “God’s Will or Human Desire The Irony and Criticism in Lin Pey-Chwen’s Eve Clone series” “God’s Will or Human Desire The Irony and Criticism in Lin Pey-Chwen’s Eve Clone series” (2017).

Pey-Chwen Lin. Confronting the corrupted powers aiming to destroy the Holy Mountain and City, Pey-Chwen Lin,Reading the 2020 “Eve Clone Revelation- Pey-Chwen Lin + Digital Art Lab Exhibition”, Tainan Art Museum Reading the 2020 “Eve Clone

Dencker, Klaus Peter. Optische Poesie. Berlin: De Gruyter, 2011.

Reinhuber, Elke and Benjamin Seide. Garden Of Changes – VR Experience as Meditative Divination Device .

Kac, Eduardo. Escracho. Rio de Janeiro: Sai Dessa Lama, 1983.

Lichty, Patrick. Variant Analyses, Interrogations of New Media Art and Culture. Theory on Demand, 1 th ed.Amsterdam: Institute of Networked Cultures, 2015.