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Sanchez Cardona, LM. Vis. [un]necessary force_4. Artistic practice and communities immersed in search processes for victims of enforced disappearance in Mexico In Seven experiences of listening and protest in artistic practices, edited by Ana

Fleischmann, Monika and Andrea Helbach. CAT - Communication, Art, Technology: History of a project - step by step.” [ ].

Kac, Eduardo. Recent Experiments in Holopoetry and Computer Holopoetry In Display Holography, edited by Tung H. Jeong, 229-236. Bellingham: 1991.

Nagata, Tomoyuki. Computer Graphics Art Work ISBN 4-7661-0682-2. 1st th ed.Tokyo, Japan: Graphic-sha, 1992.

Everitt, Dave and Fania Raczinski. Creative Zombie Apocalypse: A Critique of Computer Creativity Evaluation 2016 IEEE Symposium on Service-Oriented System Engineering (SOSE) , no. https://doi.org/10.1109/sose.2016.30 (March 2016).

Everitt, Dave and Alec Robertson. Emergence and complexity: Some observations and reflections on transdisciplinary research involving performative contexts and new media International Journal of Performance Arts & Digital Media , no.

Everitt, Dave and Ernest Edmonds and Michael Macaulay and Greg Turner. On physiological computing with an application in interactive art Interacting with Computers Volume 16, Issue 5, no. https://doi.org/10.1016/j.intcom.2004.08.003 (October

Novak, Jasminko et al. AN ELECTRONIC ARENA FOR PARTICIPATION IN CONNECTED COMMUNITIES eRENA. Electronic Arenas for Culture, Performance, Art & Entertainment (Esprit project 25379). Brüssel 2000. In eRENA. Electronic Arenas for Culture, Performance,

Strauss, Wolfgang and Monika Fleischmann. Information Jukebox? A semi-public device for presenting multimedia information content. Personal and Ubiquitous Computing 7(3-4), no. DOI: 10.1007/s00779-003-0219-x (July 2003): :217-220.

Bock, Mary Lou. Gallery Spread curated by Mary Lou Bock of the Williams Gallery, Princeton New Jersey Computer Artist (magazine) (August-September 1994).