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Pour une anthropologie des singularités formelles. Remarque sur l´invention warburgienne
1996
Didi-Huberman, Georges. Pour une anthropologie des singularités formelles. Remarque sur l´invention warburgienne Genéses 24, no. 24 (1996): 145-163.
Sordid Sites: Voyeurism and Exhibitionism in The Internal Organs of a Cyborg
2000
Prophet, Jane and Sian Hamlett. Sordid Sites: Voyeurism and Exhibitionism in The Internal Organs of a Cyborg FELIX Magasine: Voyeurism Issue (2000).
Clicking In
1996
Hershman-Leeson, Lynn, ed. Clicking In. Seattle: Bay Press, 1996.
Beyond the Image Machine: A History of Visual Technologies
2004
Tomas, David. Beyond the Image Machine: A History of Visual Technologies. London, New York: Continuum, 2004.
Künstliche Paradiese?: Betrachtungen zur Welt der elektronischen Medien - und zu anderen Welten
1995
Welsch, Wolfgang. Künstliche Paradiese?: Betrachtungen zur Welt der elektronischen Medien - und zu anderen Welten Paragrana. Internationale Zeitschrift für Historische Anthropologie 4, no. 1 (1995): 255-277.
The Pearly Gates of Cyberspace: A History of Space from Dante to the Internet
1999
Wertheim, Margaret. The Pearly Gates of Cyberspace: A History of Space from Dante to the Internet. New York: W W Norton and Co, 1999.
Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit.
1980
Benjamin, Walter. Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit. In Gesammelte Schriften, Band I, Werkausgabe Band 2, edited by Rolf Tiedemann and Hermann Schweppenhäuser, 431-469. Frankfurt am Main: Suhrkamp, 1980.
Jenny Holzer, Virtual Reality: An Emerging Medium
1994
Teixeira, Kevin. Jenny Holzer, Virtual Reality: An Emerging Medium Art and Design 9 (Summer 1994): 9-15.
Jenny Holzer, Multidisciplinary Dweeb
1994
Snider, Burr. Jenny Holzer, Multidisciplinary Dweeb Wired 2.02 (February 1994).
Das Netz, das fühlen Kann / The Sentient Net
1996
Ascott, Roy. Das Netz, das fühlen Kann / The Sentient Net In Ars Electronica Center, Museum der Zukunft / Museum of the Future, edited by Hannes Leopoldseder, 64-71. Linz: Ars Electronica Center, 1996.
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