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Benayoun, M.. The Dump, 207 Hypotheses for Committing Art. France: Fyp editions, 2011.

Benayoun, M. and Stephen W. Gilroy and Marc Cavazza. An affective model of user experience for interactive art International Conference on Advances in Computer Entertainment Technologies (2008).

Benayoun, M. and Stephen W. Gilroy and Marc Cavazza. PAD–based Multimodal affective fusion Affective Computing and Intelligent Interaction (2009).

Benayoun, M. and Stephen W. Gilroy and Marc Cavazza. Using affective trajectories to describe states of flow in interactive art International Conference on Advances in Computer Entertainment Technologies (2009).

Benayoun, M.. Le devenir de l’A.M.E., la réalité virtuelle comme écosystème pour la création artistique 01 Design, Edit. Europia (2010).

Benayoun, M.. Architectures réactives de la communication www.benayoun.com.

Fionn Meade and Joan Rothfuss and Olga Viso, ed. MERCE CUNNINGHAM: COMMON TIME. Minnesota: Walker Art Center, 2017.

Rubino, Giovanni (ed.). Scatole sonore. La poesia reclusa, Palinsesti 2012, 28.10. – 2.12. 2012 . San Vito al Tagliamento: Comune di San Vito al Tagliamento (2012).

Gernemann-Paulsen, A. and C. Robles Angel and U. Seifert and L. Schmidt. Physical Computing and New Media Art – new challenges events. 27. Tonmeistertagung (2012).

Hosale, Mark-David and Erika Batdorf and Kate Digby and Alan Macy. Research Report: Performance, Art, and Cyber-Interoceptive Systems (PACIS) Proceedings of Movement and Computing conference, Tempe, Arizona (MOCO 2019) (October 2019): 8.