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Benayoun, M.. Architectures réactives de la communication www.benayoun.com.

Fionn Meade and Joan Rothfuss and Olga Viso, ed. MERCE CUNNINGHAM: COMMON TIME. Minnesota: Walker Art Center, 2017.

Hosale, Mark-David and Erika Batdorf and Kate Digby and Alan Macy. Research Report: Performance, Art, and Cyber-Interoceptive Systems (PACIS) Proceedings of Movement and Computing conference, Tempe, Arizona (MOCO 2019) (October 2019): 8.

Rubino, Giovanni (ed.). Scatole sonore. La poesia reclusa, Palinsesti 2012, 28.10. – 2.12. 2012 . San Vito al Tagliamento: Comune di San Vito al Tagliamento (2012).

Gernemann-Paulsen, A. and C. Robles Angel and U. Seifert and L. Schmidt. Physical Computing and New Media Art – new challenges events. 27. Tonmeistertagung (2012).

Sito, Tom. Moving Innovation: A History of Computer Animation. 1st Edition th ed.Cambridge, Mass. USA: MIT Press, 2013.

Simó, Águeda. Combining Stereoscopic Live Action Video with Holobench-type Displays: an Artistic Exploration of Space Dimensions ACM DL VRIC'2018 (2018).

Nijholt, Anton. Brain Art: Brain-Computer Interfaces for Artistic Expression. Enschede, The Netherlands: Springer Nature, Switzerland, 2019.

Everitt, Dave. Art as Digital Exploration. Series on Cultural Computing, https://doi.org/10.1007/978-1-4471-7367-0_17 th ed.https://link.springer.com/chapter/10.1007%2F978-1-4471-7367-0_17: Springer, 2018.

Mason, Catherine and Paul Brown and Charlie Gere and Nicholas Lambert, ed. White Heat Cold Logic: British Computer Art 1960-1980. Leonardo Book Series, Cambridge, Mass. London, England: MIT Press, 2008.