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Datenbank der Virtuellen Kunst
2001
Grau, Oliver. Datenbank der Virtuellen Kunst In Electronic Imaging and the Visual Arts 2001, , 135-140. Berlin: 2001.
Tube over the Maschsee
1970
Shaw, Jeffrey. Tube over the Maschsee Studio International 180, no. 928 (December 1970): 253.
On Interactivity / Interaktivität
2001
Fujihata, Masaki. On Interactivity / Interaktivität In Ars Electronica 2001: TAKEOVER - Who´s Doing the Art of Tomorrow?/ Wer macht die Kunst von morgen?, edited by Gerfried Stocker and Christine SchöpfVienna, New York: Springer, 2001.
Prefiguring Cyberculture, an intellectual history
2004
Penny, Simon. Prefiguring Cyberculture, an intellectual history In Traces, edited by Darren Tofts and Annemarie Jonson and Alessio CavallaroCambridge, MA: MIT Press, 2004.
Simon Penny
1997
Drucker, Johanna. Simon Penny Art Journal 56, no. 3 (Fall 1997).
From Telematic Man to Heaven 194.94.211.200
1997
Sermon, Paul. From Telematic Man to Heaven 194.94.211.200 In Consciousness Reframed, Proceedings of the First CAiiA Research Conference, University of Wales College, Newport, University of Wales College, Newport: 1997.
Project ICC: Telematic Art and the Cartesian Body - A conversation between Paul Sermon, Andrea Zapp and Itoh Toshiharu
1996
Sermon, Paul and Andrea Zapp and Itoh Toshiharu. Project ICC: Telematic Art and the Cartesian Body - A conversation
between Paul Sermon, Andrea Zapp and Itoh Toshiharu Intercommunication 16 (1996): 46-51.
Liquid Views
1998
Fleischmann, Monika and Wolfgang Strauss and Christian Bohn. Liquid Views In Deep Storage, edited by Ingrid Schaffner and Matthias et.al. WinzenMünchen, London, New York: Prestel, 1998.
Paul Sermon - Holder of ZKM Stipend 1993
1993
Morse, Margaret. Paul Sermon - Holder of ZKM Stipend 1993 .
Interactive Strategies in Virtual Architecture and Art
1997
Strauss, Wolfgang and Monika Fleischmann and Christian Bohn. Interactive Strategies in Virtual Architecture and Art In Intelligent Environments, edited by Peter Droege, 632-640.. Amsterdam, NL: Elsevier Science B.V., 1997.
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