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Weibel, Peter. Die Differenz zwischen Malerei und Medien In Tuncay Boztepe, Werner Bosch, edited by Urart Sanat Galerisi IstanbulIstanbul: U. Sanat Galerie Istanbul, 1989.

Benayoun, Maurice. Diabolo ex machina. dérives malignes de la Sainte Ecriture dévoyée par la technologie Sarazine 4 (1996).

Weibel, Peter. Wirklichkeitsdiffusion. Wirklichkeitserfahrungen in der Kunst zwischen hyperreal und hypermedial In Hypermental. Wahnhafte Wirklichkeit 1950 - 2000 von Salvador Dali bis Jeff Koons, edited by Bice Curiger and Christoph Heinrich,

Frauenhofer Institute for Media Communication, ed. The Composite State of Being - Notes on the Technoetic Implication of Mixed Reality. Sankt Augustin: 2001.

Sancken, Paulette. REL Visitors from Abroad access 8, no. 1 (Spring 1994).

Gamblin, Noriko and Carole Ann Klonarides, ed. Sugar´n Spice. Santa Monica: Long Beach Museum of Arts, 1993.

Saltzgaver, Harry. Sugar´n´ Spice More Than Just Nice Grunion Gazette (March 4th 1993).

Fisher, Scott S. and Tatsya Saito and Ian McDowall and Nakayama, Yuuta and Mark Bolas and Kenji Kohiyama. Micro Archiving and Interactive Virtual Insect Exhibit In Stereoscopic Displays and Virtual Reality Systems IX, edited by S. Benton and J.

Emmer, Michele and Victor Acevedo and Valentina Barucci and Jos de May and Sandro Del-Prete and Robert Fathauer and et. al. Homage to Escher Leonardo 1, no. 33 (2000): 3-16.

Weibel, Peter. Psychotisierung der Wahrnehmung, Gespräch mit Sara Rogenhofer, Florian Rötzer Kunstforum 98 (1989): 75.