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Broeckmann, Andreas. The Naked Bandit in the Theatre of Visibilities. Control, Attention and Performance in Recent Projects by Knowbotic Research Knowbotic Research (online) (2010).

Helyer, Nigel. An Atlas of Small Voyages LAND , no. 1 (2013).

Witzmann, Pia and Ulla Lux. hell-gruen. alias - Atelier für Spaziergangsforschung. Düsseldorf: Kulturamt Düsseldorf, 2002.

Huhtamo, Erkki. Monumental Attractions: An Archaeology of Public Media Interfaces In Interface Criticism: Aesthetics Beyond Buttons, edited by Christian Ulrik Andersen and Soeren Bro Pold, 21-42. Aarhus: Aarhus University Press, 2011.

Athanassakis, Irini:. Fin Arts – Die feine Kunst und die Kunst der Finanzen Kunstforum International , no. 200 (2010): 75-78.

Latour, Bruno and Peter Weibel, ed. Making Things Public. Atmospheres of Democracy. Cambridge, Mass: MIT Press, 2005.

Illouz Audrey. Olga Kisseleva: atelier de production. Paris: Centre Photographique Ile de France (CPIF), 2009.

Atkan, Nancy. Digital Art in Cuba: Increasing enthusiasm for Digital Art New York Arts Review 2, no. 7 (July 2002).

Pearlman,Ellen. Nothing and Everything: The Influence of Buddhism On the American Avant Garde, 1942-1962.. Berkeley: North Atlantic Books, 2012.

Hauser, Jens and Ingeborg Reichle and Hans-Jörg Rheinberger. Synthetisch: Biologie und Kunst In Experimentalität: Hans-Jörg Rheinberger im Gespräch über Labor, Atelier und Archiv, edited by Hans-Jörg Rheinberger, 94-103. Berlin: Kulturverlag