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Behind
the
Smart
World
– Artistic Remixing of a Global Data Breach
2019
...ngerle, Andreas and Kronman Linda. Behind
the
Smart
World
– Artistic Remixing of... Kronman Linda. Behind
the
Smart
World
– Artistic Remixing of a Global...
Ars Electronica 1995: Mythos Information - Welcome to
the
Wired
World
1995
... Mythos Information - Welcome to
the
Wired
World
. New York, Wien:... - Welcome to
the
Wired
World
. New York, Wien: Springer Verlag,...
Beyond
the
Web: Excavating
the
Real
World
via Mosaic
1994
... Sutter and Jeff Wiegley. Beyond
the
Web: Excavating
the
Real
World
via...
the
Web: Excavating
the
Real
World
via Mosaic In Second...
Virtual Reality // ‘
The
Unframed
World
’: An Interview with Banz & Bowinkel
2017
...Birch, Lisa. Virtual Reality // ‘
The
Unframed
World
’: An Interview with Banz &... , Lisa. Virtual Reality // ‘
The
Unframed
World
’: An Interview with Banz & Bowinkel...
Silicon Second Nature: Cultivating Artificial Life in a Digital
World
1998
... Artificial Life in a Digital
World
. Berkeley, CA: University of...
Welcome to Bill Vorn´s Apocalyptic
World
of Bedlam
2001
...James. Welcome to Bill Vorn´s Apocalyptic
World
of Bedlam .
The
Nervous Breakdown of
the
Global Body, An organic model of
the
connected
world
2010
...Benayoun, M..
The
Nervous Breakdown of
the
Global Body, An organic model of
the
... organic model of
the
connected
world
...
The
Virtualisation of Artistic Practice: Body Knowledge and
the
Engineering
World
View
1997
...Penny, Simon.
The
Virtualisation of Artistic Practice: Body Knowledge and
the
... and
the
Engineering
World
View CAA Art Journal (Fall 1997).
Of Shadow & Light, 36p., English.
World
Wide Video Centre, Den Haag/NL
1993
... Centre, Den Haag/NL. Berlin: S
top
Over Press, 1993. Shadow & Light, 36p., English.
World
Wide Video Centre, Den Haag/NL....
Landscape, Earth, Body, Being,
World
, and Time in
the
Immersive Virtual Environments Osmose and Ephémère
2000
... Body, Being,
World
, and Time in
the
Immersive Virtual Environments... vies, Char. Landscape, Earth, Body, Being,
World
, and Time in
the
Immersive...
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