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Metal
Performance
: Humanizing Robots, Returning to Nature, and Camping About
2004
...Dixon, Steve. Metal
Performance
: Humanizing Robots, Returning to Nature, and Camping About TDR 48, no. 4 (Winter 2004).
Research Report:
Performance
, Art, and Cyber-Interoceptive Systems (PACIS)
2019
...Hosale, Mark-David and Erika Batdorf and Kate Digby and Alan Macy. Research Report:
Performance
, Art, and Cyber-Interoceptive Systems (PACIS) Proceedings of Movement and Computing conference, Tempe, Arizona (MOCO 2019) (October 2019): 8.
Embodied Sound, Enacted Music: Considerations for the Re-conceptualization of Composition, Analysis and
Performance
2010
...Basanta, Adam. Embodied Sound, Enacted Music: Considerations for the Re-conceptualization of Composition, Analysis and
Performance
In Ncounters, Graduate Music Students Association Conference, University of Alberta: 2010.
Between Mapping, Sonification and Composition: Responsive Audio Environments in Live
Performance
2007
...ris and Marije Baalman and Daniel Moody-Grigsby. Between Mapping, Sonification and Composition: Responsive Audio Environments in Live
Performance
In Proceedings for the 2007 International Computer Music Conference (ICMC), edited by Proceedings for the 2007...
WOODEN WORLDS – Aesthetical and Technical aspects of a Multimedia
Performance
using Real-time Interaction.
2011
...Garavaglia, J. and C. Robles. WOODEN WORLDS – Aesthetical and Technical aspects of a Multimedia
Performance
using Real-time Interaction. proceedidings ISEA , no. 2011 (2011).
WOODEN WORLDS – Aesthetical and Technical aspects of a Multimedia
Performance
using Real-time Interaction.
2011
...Garavaglia, J. and C. Robles. WOODEN WORLDS – Aesthetical and Technical aspects of a Multimedia
Performance
using Real-time Interaction. proceedidings ISEA , no. 2011 (2011).
Dramaturgies of Sound: Interactive Sound Design in Live
Performance
2008
...Chris Salter. Dramaturgies of Sound: Interactive Sound Design in Live
Performance
In Proceedings for the 1st International Workshop in Sonic Interaction Design, Florence, Italy: 2008.
Schwelle: Sensor Augmented, Adaptive Sound Design for Live Theatrical
Performance
2007
...Salter, Chris and Marije Baalman and Daniel Moody-Grigsby. Schwelle: Sensor Augmented, Adaptive Sound Design for Live Theatrical
Performance
In Proceedings for the 7th Annual Conference in New Interfaces for Musical Expression (NIME 2007), edited by Proceedings for...
Spiral and Waves — The Female Image and Identity in Experimental Films and Videos by Women Filmmakers, Choreographers and
Performance
Artists
1989
...oore, Lila. Spiral and Waves — The Female Image and Identity in Experimental Films and Videos by Women Filmmakers, Choreographers and
Performance
Artists Master Thesis, Central Saint Martins College of Art and Design, London, 1989.
The Naked Bandit in the Theatre of Visibilities. Control, Attention and
Performance
in Recent Projects by Knowbotic Research
2010
...Broeckmann, Andreas. The Naked Bandit in the Theatre of Visibilities. Control, Attention and
Performance
in Recent Projects by Knowbotic Research Knowbotic Research (online) (2010).
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