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Berlot, Uršula. The Space of Infrathin Difference: Non-similar Similarity in Duchamp’s Art Sodobnost, nov. 2010/74. Ljubljana: Kulturno-umetniško društvo Sodobnost International (2010).

Thiel, Tamiko and Teresa Reuter. Rhetorics of the Interactive 3D Installation ‘Virtuelle Mauer/ReConstructing the Wall’ In Conference Proceedings for International Conference on Interactive Digital Storytelling (ICIDS 2010), edited by Ruth Aylett,

Benayoun, M.. Who and What are the Quarxs? POST PIXEL.Animamix Biennale 2015-6 (2016).

Benayoun, M.. Quarxs, 90s Animamix Biennale 2015-6 (2016).

Brook, Tony and Adrian Shaughnessy, ed. Supergraphics. London, UK: United Edition, 2010.

LAB[au]. Metadesign. Quebec: Les Presses du Réel, 2010.

Pearlman,Ellen. I Cyborg MIT Press,PAJ (Performance Arts Journal) 37, no. 2 (May 2015): 84-90.

Casares, Nilo. net.art:_SUS_ANTECEDENTES_Y_ACTUALIDAD_EN_LA_COMUNIDAD_VALENCIANA In En torno a los últimos 30 años del arte valenciano contemporáneo (II), edited by Román De la CalleVol.1. , 22. Valencia, Spain: Real Academia de Bellas Artes de San

Cubitt, Sean. The Information Environment In Ubiquitous Computing, Complexity, and Culture, edited by Ulrik Ekman and Lily Diaz and Morten SondergaardNew York: Routledge, 2015.

Meyer, Eva. Me as MacGhillie In Opaque Presence. Manual of Latent Invisibilities, edited by Andreas Broeckmann and Knowbotic ResearchBerlin, Zürich: Diaphenes Verlag, 2010.