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Kluszczyński, Ryszard W.. Phenomenological Traits in Polish Film Studies Polish Art Studies IX (1988): 259-273.

Tait, Peta. Toni Dove´s Artificial Changelings: Collapsing Time and Feeling e/Motional Spaces Double Dialogues 4 (Winter 2003).

Hsin Hsin, Lin. Reduction to Pixels -- Using a Common Human Computer Interface to create 3D Artificial Realities Leonardo Electronic Almanac 6, no. 5 (June 1998).

Sobell, Nina. UNSEEN: twenty-four-page folio, 24 pages 5.5” x 17”, in a handmade box, David Moscovitch, editor. Vol.1. 6 th ed.New York: Louffa Press, 2020.

Anderson, Isabel. The Etcher's Byte: The Piety of the Print; The Pixelation of the Panoptic in Four Southern California Shows VISIONS Art Quarterly (Spring 1994).

Van der Meulen, Sjoukje. Image-ability: Another Reading of Bildgeschichte," in James Elkins, ed., Farewell to Visual Studies, pp. 218-222. University Park, PA: PSU Press, 2014.

Thun, Geoff and Philip Beesely and Kathy Velikov and Robery Woodbury, ed. NORTH HOUSE: TEAM NORTH ENTRY TO THE SOLAR DECATHLON. Toronto: Riverside Architectural Press, 2008.

Thun, Geoff and Philip Beesely and Kathy Velikov and Robery Woodbury, ed. NORTH HOUSE: TEAM NORTH ENTRY TO THE SOLAR DECATHLON. Toronto: Riverside Architectural Press, 2008.

Rivard, Hugues and Philip Beesely and Anna Rocki and Robert Woodbury, ed. SOLAR HOUSE: TEAM MONTEAL ENTRY TO THE SOLAR DECATHLON. Toronto: Riverside Architectural Press, 2008.

Lin Hsin Hsin. In Bytes We Travel, ISBN: 978-981-02-3359-4, http://www.lhham.com.sg/shop/travel.html. Vol.1. 1 th ed.Singapore, USA: World Scientific Publishing, 1997.