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Ornia, José Ramón Péreg. El arte del vídeo: Introducción a la historia del video experimental. Madrid, ES: RTVE. Serbal. Colleción Viajes, países, culturas, 1991.

Strauss, Wolfgang. Tanz im Haus der Illusion 3 (1995).

Sperlich, Tom and Gernot Schärmeli. Höhlenbewohner, 3D-Umgebung der virtuellen Art ct magazin für computer und technik 1 (1997): 78-81.

Weibel, Peter. Virtuelle Welten: Des Kaisers neue Körper In Ars Electronica 1990: Digitale Träume - Virtuelle Welten, edited by Georg Hattinger and Peter WeibelVol.2. , 9-38. Linz: Veritas-Verlag, 1990.

Fisher, Scott S.. From Envisioning to Embodying the Virtual In Tangibles Bits: Towards Seamless Interfaces between People, Bits and Atoms, edited by Hiroshi Ishii and Tangible Media GroupTokyo, Japan: NTT Publishing Co., 2000.

Hsin Hsin, Lin. Un musée d´art numérique: une premiére sur le Web Museum International 205, no. 2 (2000): 8-13.

Ryan, Marie-Laure. Narrative as Virtual Reality: Immersion and Interactivity in Literature and Electronic Media. Baltimore: The John Hopkins University Press, 2001.

Wirths, Axel. Jeffrey Shaw-Place-a-user´s Manual In Der elektronische Raum -15 Positionen zur Medienkunst, , 214-225. Ostfildern-Ruit: Hatje Cantz, 1998.

Lozano-Hemmer, Rafael. Virtual Reality In Bioapparatus, Banff, Alberta, Canada: The Banff Centre for the Arts, 1991.

Wise, S. A. and J. Rosen and Scott Fisher and Glass K. and Wong, Y.. Initial Experience with the DataGlove, A Semi-Automated System for Quantification of Hand Function In Proceedings of the 10th Annual Conference on Rehabilitation Technology,