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GARCIA, Iliana Hernández and Edmond Couchot and Simone Michelin and et al., ed. Estética, Ciência y Tecnología, creaciones electrónicas y numéricas.. Bogotá: Editorial Pontifícia Universidad Javeriana, 2005.

Arte Cubano Ediciones y Centro de Arte Contemporâneo Wilfredo Lam, ed. Decima Bienal de La Habana, Integración y Resistencia; catalog;. ISBN 959-7178-11-7, Sevilla, Spain: Escadón Impressores, 2009.

Arte Cubano Ediciones y Centro de Arte Contemporâneo Wilfredo Lam, ed. Decima Bienal de La Habana, Integración y Resistencia; catalog;. ISBN 959-7178-11-7, Sevilla, Spain: Escadón Impressores, 2009.

Maciel, Katia; Parente, Andre and Simone Michelin, ed. Redes Sensoriais: Arte, Ciência e Tecnologia. Essay: O Centro do Crisol.. ISBN 85-86011-74-6, Rio de Janeiro: Editora Contracapa, 2003.

Wegener, Claudia. Bonjour, Bonsoir, Adieu Tristesse Item magazine on line 2002.

Grau, Oliver. On the Visual Power of Digital Arts: for a new archive and museum infrastructure in the 21st century.. Vol.12. Colección Caleidoscopio, by José Ramón Alcalá & Vicente Jarque th ed.Castilla - La Mancha: Ediciones de la Universidad de

Grau, Oliver and Wendy Coones and Viola Rühse, ed. Museum and Archive on the Move. Changing Cultural Institutions in the Digital Era.. Berlin: De Gruyter, 2017.

Grau, Oliver and Wendy Coones. ”The Living Archive” of Digital Arts – Web 2.0 & 3.0 and the Bridging Thesaurus Konferenzband EVA Berlin 2018 (2018): 230 - 237.

Grau, Oliver and Inge Hinterwaldner, ed. Retracing Political Dimensions: Strategies in Contemporary New Media Art. Berlin: De Gruyter, 2020.

Grau, Oliver and Janina Hoth and Eveline Wandl-Vogt, ed. Digital Art through the Looking Glass: New strategies for archiving, collecting and preserving in Digital Humanities. Krems a. d. Donau: Edition Donau-Universität, 2019.