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Thomas Dreher. History of Computer Art VI. Net Art: Networks, Participation, Hypertext VI.3 Net Art in the Web http://iasl.uni-muenchen.de/links/GCA-VI.3e.html#HTML.

Liverpool: FACT, The Foundation for Art and Creative Technology. JODI: Computing 101 B.. United Kingdom: In association with exhibition at Spacex, Exeter, UK, 2004.

Gomes, Clara. Ciberformance: a performance em ambientes e mundos virtuais (Cyberformance: performance in virtual worlds) Colecção Estudos em Comunicação , no. 1 (2015).

Bunting, Heath. Heath Bunting Interview www.tate.org.uk/context-comment/video/heath-bunting-interview [05.07.2017].

García Canclini, Néstor and Pat Badani, ed. Extranjería como contexto. Interculturalidad y arte digital iberoamericano. Vol.ISBN: 978-987-1496-03-7. pages 77 to 89, Extranjeros en la Tecnología y en la Cultura th ed.Buenos Aires, Argentina:

García Canclini, Néstor and Pat Badani, ed. Extranjería como contexto. Interculturalidad y arte digital iberoamericano. Vol.Book chapter. ISBN: 978-987-1496-03-7, Extranjeros en la tecnología y la cultura th ed.Buenos Aires, Argentina: Colección

Schwartz, Lillian F.. Computers and Appropriation Art: The Transformation of a Work or Idea for a New Creation Leonardo 29, no. 1 (1996): 43-49.

Burbano, Andres. Legardy, George. Forbes, Angus. Imagining Macondo: Interacting with García Márquez’s Literary Landscape IEEE Computer Graphics and Applications 5, no. 35 (JUNE 2015): 6-13.

Burbano, Andres. Legardy, George. Forbes, Angus. Imagining Macondo: Interacting with García Márquez’s Literary Landscape IEEE Computer Graphics and Applications 5, no. 35 (JUNE 2015): 6-13.

Albuquerque, Beatriz. Performance Art+Internet = Communication In Performances no Contemporaneo, edited by Né BarrosPorto: Faculdade de Letras da Universidade do Porto, 2018.