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Matthew Mirapaul. Deliberately Distorting the Digital Mechanism New York Times (21 April 2003).

Fechner, Gustav Theodor. Elemente der Psychophysik https://archive.org/details/elementederpsych001fech.

Zielinski, Siegfried and Hans Ulrich Reck and Thomas Hensel, ed. Decodieren von Subtexten. Erforschung a-logischer Strukturen. In: Lab - Jahrbuch 2000 für Künste und Apparate, 2000 th ed.Cologne, Germany: Verlag der Buchhandlung Walter König, 2000.

Peraica, Ana. Culture of the Selfie: Self-Representation in Contemporary Visual Culture. Theory on Demand, Amsterdam: Institute of Network Cultures, 2017.

Bent, Eliza. Preview of the 121212 UpStage Festival of Cyberformance American Theatre Magazine (December 2012): 60.

Jamieson, Helen Varley. "We have a situation! Cyberformance and civic engagement in post-democracy" - chapter in "Convergence of Contemporary Art, Visual Culture, and Global Civic Engagement", ed. Ryan Shin; ISBN 9781522516651. USA: IGI Global, 2016.

Badani, Pat. On Digital Art, Latin America, and the Aesthetics of Infiltration In Parcours Interculturels. Être et devenir., edited by Maia MorelVol.ISBN: 978-2-9811987-0-9. , 175 to 183.. Quebec, Canada: Éditions Peisaj, 2010.

Badani, Pat and Paula Gaetano Adi and Gustavo Crembil and Tania Aedo and Diana Domingues and Eduardo Castillo and Pedro & Prado de O. Martins Vieira de Oliveira and José-Carlos Mariátegui and Heber Rodriguez and Luis Fernan Median Cardona, ed.

Karen Alekyan. The Maps of the Future or Geographical developments https://vimeo.com/93645614.

Parker, Kayla. On Location Screenworks 7, no. 3 (December 2017).