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Artificial Life - a Report from the Frontier Where Computers meet Biology
1993
Levy, Steven. Artificial Life - a Report from the Frontier Where Computers meet Biology. London: Vintage, 1993.
Kunst und Biomasse: Zur Verschränkung von Biotechnologie und Medienkunst in den 90er Jahren
2001
Reichle, Ingeborg. Kunst und Biomasse: Zur Verschränkung von Biotechnologie und Medienkunst in den 90er Jahren Kritische Berichte 1 (2001): 23-33.
Artful Science: Enlightenment Entertainment and the Eclipse of Visual Education
1994
Stafford, Barbara M.. Artful Science: Enlightenment Entertainment and the Eclipse of Visual Education. Cambridge, MA: The MIT Press, 1994.
Das Ende der Kunstgeschichte - Eine Revision nach zehn Jahren
1995
Belting, Hans. Das Ende der Kunstgeschichte - Eine Revision nach zehn Jahren. München: C.H. Beck, 1995.
Un monde trop humain. Nouveaux, Meilleurs et autres Mondes
1999
Benayoun, Maurice. Un monde trop humain. Nouveaux, Meilleurs et autres Mondes La Mazarine (Autumn 1999): 1; 100-105; 138.
Cultural Diversity in the Global Village: The Third International Symposium on Electronic Art
1992
Harley, Ross, ed. Cultural Diversity in the Global Village: The Third International Symposium on Electronic Art. Sydney: TISEA, 1992.
Fred Truck´s Art Engine, a Case Study in the Problematics of Software Art
1990
Penny, Simon. Fred Truck´s Art Engine, a Case Study in the Problematics of Software Art Mediamatic Holland 5, no. 3 (1990).
Iconoclash oder Gibt es eine Welt jenseits des Bilderkrieges?
2002
Latour, Bruno. Iconoclash oder Gibt es eine Welt jenseits des Bilderkrieges?. Berlin: Merve, 2002.
The Pearly Gates of Cyberspace: A History of Space from Dante to the Internet
1999
Wertheim, Margaret. The Pearly Gates of Cyberspace: A History of Space from Dante to the Internet. New York: W W Norton and Co, 1999.
The reformulation of narrative
with
in digital cinema as the integration of three models of interactivity
2002
... of narrative
with
in digital cinema as the...
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