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Dreher, Thomas. Performance Art nach '45: Aktionstheater und Intermedia. Munich: Wilhelm Fink Verlag, 2001.

Dreher, Thomas. Konzeptuelle Kunst in Amerika und England zwischen 1963 und 1976. Frankfurt am Main: Peter Lang, 1992.

Moore, Lila. Fields of Networked Mind: Ritual Consciousness and the Factor of Communitas in Networked Rites of Compassion Technoetic Arts: A Journal of Speculative Research 13, no. 3 (December 2015): 331-339.

Moore, Lila. Techno-Spiritual Horizons: Compassionate Networked Art Forms and Noetic Fields of Cyborg Body and Consciousness Technoetic Arts: A Journal of Speculative Research 15, no. 3 (December 2017): 325-339.

Moore, Lila. The Shaman of Cybernetic Futures: Art, Ritual and Transcendence in Fields of the Networked Mind Cybernetics and Human Knowing, A Journal of Second-Order Cybernetics, Autopoiesis and Cybersemiotics 2018, no. 2-3 (2018): 119-141.

Moore, Lila. Roy Ascott, Artist's Profile https://wrldrels.org/2020/08/13/roy-ascott/ [30.08.2020].

Moore, Lila. The Transcendent Double Selfie App Proceedings of Taboo-Transgression-Transcendence in Art and Science Conference, Ionian University, Department of Audio & Visual Arts: Corfu, Greece (2017): 229-236.

Moore, Lila. Tombs and Reels of Consciousness: The Aesthetics that Interlinks Ancient Ritualistic Artefacts and Digital, Augmented and Virtual Reality https://www.scienceopen.com/hosted-document?doi=10.14236/ewic/EVA2019.30 [08.07.2019].

Simó, Águeda. The Virtual Reality Art Installation Endocytosis: Evolving from a Flat Land into a Three-dimensional World Leonardo 2, no. 51 (2018): 124-127.

Simó, Águeda. The Stereoscopic Art Installation Eccentric Spaces ACM DL SIGGRAPH’18 (2018).