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Neue Berufsfelder und Bildproduktion. Wissensmanagment vom künstlerischen Tafelbild zu den bildgebenden Verfahren der Wissenschaft
2001
Weibel, Peter; u.a.. Neue Berufsfelder und Bildproduktion. Wissensmanagment vom künstlerischen Tafelbild zu den bildgebenden Verfahren der Wissenschaft In Vom Tafelbild zum globalen Datenraum, edited by Peter WeibelOstfildern-Ruit: Hatje Cantz,
Behaviourist Art and the Cybernetic Vision
2002
Ascott, Roy. Behaviourist Art and the Cybernetic Vision In Multimedia. From Wagner to Virtual Reality, edited by Randall Packer and Ken Jordan, 104-120. New York, London: W. W. Norton and Company, 2002.
The Earth as Brainwork
1985
Weibel, Peter. The Earth as Brainwork In Artificial Intelligence in the Arts, edited by Richard Kriesche, 104-105. Graz: 1985.
Un monde trop humain. Nouveaux, Meilleurs et autres Mondes
1999
Benayoun, Maurice. Un monde trop humain. Nouveaux, Meilleurs et autres Mondes La Mazarine (Autumn 1999): 1; 100-105; 138.
Art Impact, La mémoire partagée à perte de vue
2000
Benayoun, Maurice. Art Impact, La mémoire partagée à perte de vue Ecart , no. 2 (2000).
Behaviorist Art and the Cybernetic Vision
1966
Ascott, Roy. Behaviorist Art and the Cybernetic Vision Cybernetica, Journal of the International Association for Cybernetics 9 (1966): 247-264.
Das Zeit-Bild (Kino II)
1996
Deleuze, Gilles. Das Zeit-Bild (Kino II). Frankfurt/Main: Suhrkamp Taschenbuch Wissenschaft, 1996.
From Virtual to Public Space Toward an Impure Art
2001
Benayoun, Maurice. From Virtual to Public Space Toward an Impure Art In Understanding Mixed Reality? / Spaces for Emergent Communication, Bonn: 2001.
On Line, Life Line, Art Shifts
2002
Benayoun, Maurice. On Line, Life Line, Art Shifts e-what, Conquest of Time (April 2002).
Realität als interpretierte Wirklichkeit (Interview)
1999
Weibel, Peter. Realität als interpretierte Wirklichkeit (Interview) Grimme: Zeitschrift für Programm, Forschung und Medienproduktion. Bilder des Realen. Dokumentarisches in den Medien 3 (1999): 6-9.
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