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Dr. Turner, Ming. Quasi-skin and post-human: Lin Pey-Chwen´s Eve Clones (2010-2011) n.paradoxa international feminist art journal 30 (2012): 33-39.

Lavoslava Benčić. Koncept klasičnega in elektronskega učbenika iz didaktičnega in grafično-likovnega stališča. Medijska vzgoja in produkcija. [Tiskana izd.]. , no. 1 (mar 2009): 20-25.

Kovats Stephen and Cramer Florian and Petresin Natasa and Vincent Cédric and Kunst Bojana and Holmes Brian. Conspire (transmediale pacours 1). Frankfurt am Main, Germany: Revolver_Archiv für actuelle Kunst, 2008.

Darken, Rudolph P.. Spacial Orientation and Wayfinding in Large-Scale Virtual Spaces Presence: Teleoperators and virtual Environments 7, no. 2 (1998): 101-107.

Mitchell, William John T.. Picture Theory/Essays on Verbal and Visual Representation. Chicago, IL: University of Chicago Press, 1995.

Schäfer, Jörgen and Peter Gendolla, ed. Beyond the Screen: Transformations of literary structures, Interfaces and Genres. Bielefeld: Transcript, 2010.

Polli, Andrea and Jane Marsching. Far Field: Digital Culture, Climate Change, and the Poles. Bristol: Intellect Ltd., 2011.

Grau, Oliver and Inge Hinterwaldner, ed. Retracing Political Dimensions: Strategies in Contemporary New Media Art. Berlin: De Gruyter, 2020.

DOMINGUES, DIANA MARIA G and M MIRANDA. Proposta metodológica de Uso da Realidade Aumentada em Ergonomia do Produto Ação Ergonômica 1 (2010): 126-135.

Everitt, Dave and Fania Raczinski. Creative Zombie Apocalypse: A Critique of Computer Creativity Evaluation 2016 IEEE Symposium on Service-Oriented System Engineering (SOSE) , no. https://doi.org/10.1109/sose.2016.30 (March 2016).