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Paradigmes artificiels
1997
Benayoun, Maurice. Paradigmes artificiels Technicart (1997).
Gesänge des Pluriversums
1986
Weibel, Peter. Gesänge des Pluriversums In Ars Electronica 1986 (Band 2), edited by Gottfried HattingerVol.2. , 73-80. : Linzer Veranstaltungsgesellschaft mbH, 1986.
Öffentliche Bilder und Bilder der Macht
1988
Weibel, Peter. Öffentliche Bilder und Bilder der Macht In Ars Electronica 1988: Kunst der Szene, edited by Gottfried Hattinger and Peter Weibel, 247-251. Linz: Gutenberg-Werbering, 1988.
Der Bruch des Bildes. Vom Tafelbild zum Bildschirm
1990
Weibel, Peter. Der Bruch des Bildes. Vom Tafelbild zum Bildschirm In Computer art faszination, edited by Dotzler Medien Institut, 25-31. Frankfurt/Main: Suhrkamp, 1990.
Is there Love in the Telematic Embrace? Behaviourables and Futuribles
1996
Ascott, Roy. Is there Love in the Telematic Embrace? Behaviourables and Futuribles In Theories and Documents of Contemporary Art, edited by K. Stiles and P. Selz, 396 and 489-498. Berkeley: University of California Press, 1996.
Images, Language and Belief in Synthesis
1995
Legrady, George. Images, Language and Belief in Synthesis In Critical Issues in Electronic Media, edited by Simon Penny: SUNY Press, 1995.
Consciousness Reframed: Art and Consciousness in the Post-biological era
1997
Ascott, Roy, ed. Consciousness Reframed: Art and Consciousness in the Post-biological era. Newport: University of Wales, 1997.
Diabolo ex machina. dérives malignes de la Sainte Ecriture dévoyée par la technologie
1996
Benayoun, Maurice. Diabolo ex machina. dérives malignes de la Sainte Ecriture dévoyée par la technologie Sarazine 4 (1996).
L´art soumis à la Question par la technologie. Interview par Charles de Meaux
1999
Benayoun, Maurice. L´art soumis à la Question par la technologie. Interview par Charles de Meaux Cultures en Mouvement , no. 15 (March 1999).
Reframing Consciousness
1999
Ascott, Roy, ed. Reframing Consciousness. Plymbridge: Intellect Books, 1999.
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