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Brand, Steward. The Media Lab: Inventig the Future at M.I.T.. London: Penguin Press, 1988.

Lintermann, Bernd and Oliver Deussen. Interactive Modelling and Animation of Branching Botanical Structures In Computer Animation and Simulation ´96, , 139-151. Wien, New York: Springer, 1996.

Brown, Paul. Metamedia and Cyberspace: Advanced Computers and the Future of Art, Technology and Creativity In Culture, Technology and Creativity, edited by Philip HaywardLondon: John Libbey and Arts Council, 1990.

Curtis, Cathy. Sugar ´n´Spice: Sensory Overload in Long Beach Los Angeles Times (April 1993): fl4.

Cassimatis, Marilena. Zur Kunsttheorie des Malers Giovanni-Paolo Lomazzo (1538-1600). Frankfurt/Main: Peter Lang Verlag, 1985.

Weibel, Peter. Der freie Klang zwischen Schweigen, Geräusch und Musik In Ars Electronica 1987, edited by Gottfried Hattinger and Peter Weibel, 8-17. Linz: Druck- und Verlagsanstalt Gutenberg, 1987.

Weibel, Peter. Momente der Interaktivität In Im Netz der Systeme: Ars Electronica 1989 (Kunstforum International), edited by Peter Weibel and Gerhard Johann LischkaVol.103. Kunstforum International, , 87-99. : 1989.

Cotton, Bob and Richard Oliver. Understanding Hypermedia: From Multimedia to Virtual Reality. London: Phaidon Press, 1993.

Courant, Michéle and Beat Hirsbrunner and Kilian Stoffel. Managing Entities for an Autonomous Behavior In Artificial Life and Virtual Reality, edited by Nadia Magnenat-Thalmann and Daniel ThalmannLondon: John Wiley and Sons Ltd., 1994.

Courchesne, Luc. Day Dawns, Light Appears, Let us open our eyes... In Lumières, Perception-Projection, Les Cent jours d´art comtemporain, , 35-48. Montréal, CAN: Centre international d´art contemporain, Montréal, 1986.