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Futurologia 2010

Zhukova, Daria and Herve Mikaeloff and Dimitri et. al. Ozerkov. Futurologia. Moscow, Russia: CCC Garage, 2010.
Me as MacGhillie 2010

Meyer, Eva. Me as MacGhillie In Opaque Presence. Manual of Latent Invisibilities, edited by Andreas Broeckmann and Knowbotic ResearchBerlin, Zürich: Diaphenes Verlag, 2010.
Movies after Film - The Digitally Expanded Cinema 2002

Martin Rieser and Andrea Zapp, ed. Movies after Film - The Digitally Expanded Cinema. London: British Film Institute, 2002.
Environments, Interactions and Beings: The Ecology of Performativity and Technics 2009

Salter, Chris. Environments, Interactions and Beings: The Ecology of Performativity and Technics In Interfaces of Performance, edited by Maria Chatzichristodolou and Rachel Zerihan and Jannis JeffriesLondon: Ashgate, 2009.
Die mathematische Denkweise in der Kunst unserer Zeit 1949

Bill, Max. Die mathematische Denkweise in der Kunst unserer Zeit. : 1949.
International Colloquium on Computers and Visual Research 1968

Kelemen, Boris and Radoslav Putar, ed. International Colloquium on Computers and Visual Research. Bit international, Zagreb: 1968.
bit international 1 - the theory of information and new aesthetics 1968

Bense, Max and Abraham A. Moles, ed. bit international 1 - the theory of information and new aesthetics. Zagreb: Galerije grada Zagreba, 1968.
t4 tendencies 4 zagreb, 1968 - 1969 1970

Kelemen, Boris and Radoslav Putar, ed. t4 tendencies 4 zagreb, 1968 - 1969. Zagreb: Galerije grada Zagreba, 1970.
neue tendenzen I - ein überraschender Zufall 1970

Mavignier, Almir. neue tendenzen I - ein überraschender Zufall In tendencje 4, edited by Boris Kelemen and Radoslav PutarZagreb: 1970.
Bewegungsbilder und elektronische Musik 1960

Whitney, John. Bewegungsbilder und elektronische Musik In Heft 7 - Forum - Raum, edited by Herbert EimertVol.7. Die Reihe, Wien, Zürich, London: Universal Edition Wien, 1960.

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