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Time Lapses - Ein Motion Capture Projekt von Bernd Lintermann und Nik Haffner
2002
Lintermann, Bernd. Time Lapses - Ein Motion Capture Projekt von Bernd Lintermann und Nik Haffner In Tanz Theorie Text, edited by Gabriele Klein and Christa Zipprich, 523-532. Münster, Hamburg, London: Lit Verlag, 2002.
Algorithmic Art, Scientific Visualization and Tele-immersion: an Evolving Dialogue with the Universe
2003
Cox, Donna. Algorithmic Art, Scientific Visualization and Tele-immersion: an Evolving Dialogue with the Universe In Women, Art, and Technology, edited by Judy MalloyCambridge, London: The MIT Press, 2003.
Beyond the Image Machine: A History of Visual Technologies
2004
Tomas, David. Beyond the Image Machine: A History of Visual Technologies. London, New York: Continuum, 2004.
Iconoclash oder Gibt es eine Welt jenseits des Bilderkrieges?
2002
Latour, Bruno. Iconoclash oder Gibt es eine Welt jenseits des Bilderkrieges?. Berlin: Merve, 2002.
Rethinking Virtual Reality: Key Concepts and Concerns
2003
Davies, Char. Rethinking Virtual Reality: Key Concepts and Concerns In Hybrid Reality: Art, Technology and the Human Factor, edited by Hal ThwaitesMontreal, Canada: International Society on Virtual Systems and Multimedia, 2003.
Ten Dreams of Technology
2002
Dietz, Steve. Ten Dreams of Technology Leonardo 35, no. 5 (2002): 509-513-515-522.
Women and the Aesthetics of New Media
2003
Gigliotti, Carol. Women and the Aesthetics of New Media trAce, Online Writing Centre (June 2003).
Digital Currents: Art in the Electronic Age
2004
Lovejoy, Margot. Digital Currents: Art in the Electronic Age. London/New York: Routledge, 2004.
Architecture´s New Media: Principles, Theories and Methods of Computer-Aided Design
2004
Kalay, Yehuda E.. Architecture´s New Media: Principles, Theories and Methods of Computer-Aided Design. Cambridge, MA: MIT Press, 2004.
Digitally Expanded Forms of Narration
2002
Del Favero, Dennis. Digitally Expanded Forms of Narration In (dis) Locations, edited by Dennis Del Favero and Jeffrey ShawKarlsruhe: ZKM Karlsruhe and The Collegea of Fine Arts, University of New South Wales, Sydney and Cinemedia, Melbourne, 2002.
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