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Rackham, Melinda. divisible Instanbul real time , no. 106 (December 2011/January 2012): 22-23.

Flanagan, Mary. Critical Play: Radical Game Design. Cambridge, MA: MIT-Press, 2009.

Flanagan, Mary. The Bride Stripped Bare to Her Data: Information Flow + Digibodies In The Feminist and Queer Information Studies Reader, edited by Patrick Keilty and Rebecca Dean, 13-47. Sacramento, CA: Litwin Books, 2013.

Lin Hsin Hsin. Between the Lines, ISBN: 3-937034-51-X (German Edition), ISBN: 981-04-9512-9 (Singapore Edition) http://www.lhham.com.sg/shop/btl4wd.html. Vol.1. 1 th ed.Singapore, Deutschland: Pro Literature Verlag, 2004.

Reinhuber, Elke. Counterfactualism – a new category for fine arts and humanity, dealing with the retrospective analysis of turning points in life Phd Thesis, COFA/UNSW, Sydney, March 2013.

Reinhuber, Elke. Decidophobia – an artistic research on the possibilities of immersive environments ICONO14. Journal of Communication and Emergent Technologies 12, no. 2 (August 2014): 206-229.

Huhtamo, Erkki. Watching the Borders and Peeking Beyond: Astronomical Demonstration Instruments as a Challenge for Screenology Écranosphère 1, no. 1 (Winter 2014).

Huhtamo, Erkki. What's Victoria Got to Do with It? Toward an Archaeology of Domestic Video Gaming In Before the Crash: Early Video Game History, edited by Mark J. P. Wolf, 30-52. Detroit: Wayne State University Press, 2012.

Huhtamo, Erkki. Pre-envisioning Mediatecture: A Media-archaeological Perspective In Mediatecture: The Design of Medially Augmented Spaces, edited by Christoph Kronhagel, 20-27. Vienna/New York: Springer, 2010.

Huhtamo, Erkki. Thinkering with Media: On the Art of Paul DeMarinis In Paul DeMarinis: Buried in Noise, edited by Ingrid Beirer and Sabine Himmelsbach and Carsten Seiffairth, 33-46. Heidelberg/Berlin: Kehrer, 2010.