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Kunstvolle Wissenschaft: Aufklärung, Unterhaltung und Niedergang der visuellen Bildung
1998
Stafford, Barbara Maria. Kunstvolle Wissenschaft: Aufklärung, Unterhaltung und Niedergang der visuellen Bildung. Hamburg, DE: Philo Fine Arts Stiftung, 1998.
As Art is Lifelike: Evolution, and The Readymade
1998
Tenhaaf, Nell. As Art is Lifelike: Evolution, and The Readymade Leonardo 31, no. 5 (1998): 397-404.
Creating and Animating the Virtual World
1992
Thalmann, Nadia Magnenat and Daniel Thalmann. Creating and Animating the Virtual World. New York, Berlin, Heidelberg: Springer Verlag, 1992.
Canadian Identity: Region, Country, Nation
1998
Andrew, Caroline and Will Straw and Joseph Yvon Theriault, ed. Canadian Identity: Region, Country, Nation. Montreal: The Association for Canadian Studies, 1998.
The Pearly Gates of Cyberspace: A History of Space from Dante to the Internet
1999
Wertheim, Margaret. The Pearly Gates of Cyberspace: A History of Space from Dante to the Internet. New York: W W Norton and Co, 1999.
Notes sur l´oeuvre interactive
1997
Benayoun, Maurice. Notes sur l´oeuvre interactive (1997).
George Legrady - From Analogue to Digital: Photography and Inactive Media
1997
National Gallery of Canada and Ottawa Canadian Museum of Contemporary Photography, ed. George Legrady - From Analogue to Digital: Photography and Inactive Media. Ottawa, Canada: 1997.
Das Netz, das fühlen Kann / The Sentient Net
1996
Ascott, Roy. Das Netz, das fühlen Kann / The Sentient Net In Ars Electronica Center, Museum der Zukunft / Museum of the Future, edited by Hannes Leopoldseder, 64-71. Linz: Ars Electronica Center, 1996.
Ars Electronica 1992: Die Welt von Innen - Endo Nano / The World from Within - Endo Nano
1992
Gerbel, Karl and Peter Weibel, ed. Ars Electronica 1992: Die Welt von Innen - Endo Nano / The World from Within - Endo Nano. : 1992.
Digitally Expanded Forms of Narration
2002
Del Favero, Dennis. Digitally Expanded Forms of Narration In (dis) Locations, edited by Dennis Del Favero and Jeffrey ShawKarlsruhe: ZKM Karlsruhe and The Collegea of Fine Arts, University of New South Wales, Sydney and Cinemedia, Melbourne, 2002.
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