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Wiener Secession, ed. Junge Szene Wien ´87, Ausstellungskatalog. Vienna: Wiener Secession, 1987.

Thiel, Tamiko and Teresa Reuter. Rhetorics of the Interactive 3D Installation ‘Virtuelle Mauer/ReConstructing the Wall’ In Conference Proceedings for International Conference on Interactive Digital Storytelling (ICIDS 2010), edited by Ruth Aylett,

Alcalá Mellado, José Ramón and Virginia Paniagua. Metáforas visuales de la ciudad digital actual, dos décadas después In La ciudad Digital; esperanzas, riesgos y desilusiones en las redes., edited by Col. Estudios #145, 157-190. Cuenca, Spain:

Jay, Martin. Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought. Berkeley, CA: University of California Press, 1994.

AAVV. El número y la mirada. Manuel Barbarillo y el Centro de Cálculo de la Universidad de Madrid.. Córdoba: Caja San Fernando Vimcorsa, 2002.

... In NCJSAI´94 (Japanese Society of Artificial...

Pape, Helmut. Die Unsichtbarkeit der Welt. Eine visuelle Kritik neuzeitlicher Ontologie. Frankfurt/Main: Suhrkamp, 1997.

Allen, Rebecca. Demolition Man: The Making of an Interactive Action Movie and the Future of Games In Imagina '95, Monte Carlo: 1995.

Haraway, Donna J.. Modest_Witness@Second_Millennium: FemaleMan meets OncoMouse: Feminism and Technoscience. New York, London: Routledge, 1996.

Dunn, Ashley. The Cutting Edge: New Way to Ease Web Traffick James Is Winning Big-Name Fans Los Angeles Times (August 1999).