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Site Venice Site Biennale
2014
Thiel, Tamiko. Site Venice Site Biennale AR Lab (May 2014): 29-33.
Site Venice Site Biennale
2014
Thiel, Tamiko. Site Venice Site Biennale AR Lab (May 2014): 29-33.
The Routledge companion to experimental literature
2012
Bray, Joe and Alison Gibbons and Brian McHale, ed. The Routledge companion to experimental literature. London: Routledge, 2012.
“Vorsicht! Es scheint, daß er direkt auf die Dunkelheit zustürzt, in der Sie sitzen.” Immersions- und Emotionsforschung, Kernelemente der Bildwissenschaft
2007
Grau, Oliver. “Vorsicht! Es scheint, daß er direkt auf die Dunkelheit zustürzt, in der Sie sitzen.” Immersions- und Emotionsforschung, Kernelemente der Bildwissenschaft In Wie sich Gefühle Ausdruck verschaffen, edited by Klaus Herding and Antje
Telling Stories: Procedural
Author
ship and Extracting Meaning from Museum Databases
1999
...ve. Telling Stories: Procedural
Author
ship and Extracting...
Künstliche Paradiese?: Betrachtungen zur Welt der elektronischen Medien - und zu anderen Welten
1995
Welsch, Wolfgang. Künstliche Paradiese?: Betrachtungen zur Welt der elektronischen Medien - und zu anderen Welten Paragrana. Internationale Zeitschrift für Historische Anthropologie 4, no. 1 (1995): 255-277.
Xeno-epistemics: Makeshift Kit for Visual Art as Knowledge Production and the Retinal Regimes
2002
Maharaj, Sarat. Xeno-epistemics: Makeshift Kit for Visual Art as Knowledge Production and the Retinal Regimes In Documenta 11, Ostfildern-Ruit: Hatje Cantz, 2002.
The integration of Nanotechnology Research in Fine Art: Polymorphic Impression of Uršula Berlot
2017
Aleš Vaupotič. The integration of Nanotechnology Research in Fine Art: Polymorphic Impression of Uršula Berlot Likovne besede/Art Words. Ljubljana: ZDSLU 105 (2017).
Vademecum digitaler Kunst, Söke Dinkla: Pioniere Interaktiver Kunst bis heute
1998
Grau, Oliver. Vademecum digitaler Kunst, Söke Dinkla: Pioniere Interaktiver Kunst bis heute In Jahrbuch computer art faszination, edited by Gerhard Dotzler, 275-276. Frankfurt/Main: Dr. Dotzler Medieninstitut Verlag, 1998.
Revélate, la calle es el Museo
2011
Ágora Gestión Cultural, ed. Revélate, la calle es el Museo. Bogotá: Ágora Gestión Cultural, 2011.
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